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Chopin composed his best-known Nocturne in E ♭ major, Op. 9, No. 2 when he was around twenty years old. This well-known nocturne is in rounded binary form (A, A, B, A, B, A) with coda, C. It is 34 measures long and written in 12 8 meter, having a similar structure to a waltz. The A and B sections become increasingly ornamented with each ...
Chopin's nocturnes carry many similarities with those of Field while at the same time retaining a distinct, unique sound of their own. One aspect of the nocturne that Chopin continued from Field is the use of a song-like melody in the right hand.
Nocturne in E-flat major, Op. 55, No. 2. The second nocturne in E ♭ major features a 12 8 time signature, triplet quavers in the bass, and a lento sostenuto tempo marking. The left-hand features sweeping legato arpeggios from the bass to the tenor, while the right-hand often plays a contrapuntal duet and a soaring single melody.
John Field (26 July 1782, Dublin – 23 January 1837, Moscow) was an Irish pianist, composer and teacher [1] widely credited as the creator of the nocturne. While other composers were writing in a similar style at this time, Field was the first to use the term 'Nocturne' specifically to apply to a character piece featuring a cantabile melody ...
Opening bars of Op. 62 No. 1 in B major. Written between 1845 and 1846, Nocturnes Op. 62 are a set of two nocturnes for solo piano by Frédéric Chopin. They were published in 1846 and are dedicated to Mademoiselle R. de Konneritz. [1] These were Chopin's final compositions in the genre, although they were not the last to be published. [2]
H 56 – Nocturne for piano No. 11 in E-flat major – 1832; H 58D – Nocturne for piano No. 12 in G major – 1822; H 59 – Nocturne for piano No. 13 "Song without Words" in D minor – 1834; H 60 – Nocturne for piano No. 14 in C major – 1835; H 61 – Nocturne for piano No. 15 in C major – 1836; H 62 – Nocturne for piano No. 16 in F ...
It develops students' facility with 3-on-4 polyrhythms. [1] The key of the second étude is A ♭ major sits atop a series of chords in the right hand with a simple bass in the left hand. It develops students' facility with 2-on-3 polyrhythms. The third and last étude, in D ♭ major, is the most technically challenging in this collection.
The Nocturne in D-flat major, referred to as Nocturne No. 8 in the context of the complete set of Chopin's Nocturnes, is one of Chopin's more popular compositions. It is initially marked as lento sostenuto and is in 6 8 meter. It consists of two strophes, repeated in increasingly complex variations. The piece is 77 measures long.
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