Ad
related to: chopin field nocturne no 2 imslp 3 major
Search results
Results from the WOW.Com Content Network
Chopin composed his best-known Nocturne in E ♭ major, Op. 9, No. 2 when he was around twenty years old. This well-known nocturne is in rounded binary form (A, A, B, A, B, A) with coda, C. It is 34 measures long and written in 12 8 meter, having a similar structure to a waltz. The A and B sections become increasingly ornamented with each ...
Chopin's nocturnes carry many similarities with those of Field while at the same time retaining a distinct, unique sound of their own. One aspect of the nocturne that Chopin continued from Field is the use of a song-like melody in the right hand.
John Field (26 July 1782, Dublin – 23 January 1837, Moscow) was an Irish pianist, composer and teacher [1] widely credited as the creator of the nocturne. While other composers were writing in a similar style at this time, Field was the first to use the term 'Nocturne' specifically to apply to a character piece featuring a cantabile melody ...
Anton Stepanovich Arensky: two nocturnes for piano, each part of a set: No. 1 from Six Pieces, Op. 5 (1884); No. 3 from Twenty-four Characteristic Pieces, Op. 36 (1894); a nocturne for two pianos, no. 8 from Variations (Suite No. 3), Op. 33; Arno Babajanyan: his nocturne, a lyrical piece in easy listening genre and a song performed by Muslim ...
Nocturne in E-flat major, Op. 55, No. 2. The second nocturne in E ♭ major features a 12 8 time signature, triplet quavers in the bass, and a lento sostenuto tempo marking. The left-hand features sweeping legato arpeggios from the bass to the tenor, while the right-hand often plays a contrapuntal duet and a soaring single melody.
Piano 4-hands or 2 pianos F major 1826 KK. Vb/2 Lost. Copy of first line made by Chopin's sister Ludwika is extant Variations on "Non più mesta" from Rossini's La Cenerentola: Flute and piano E major 1824 1955 B. 9 KK. Anh. Ia/5 A 1/5 This work has been attributed to Chopin, but is generally considered spurious.
H 24 – Nocturne for piano No. 1 in E-flat major – 1812; H 25 – Nocturne for piano No. 2 in C minor – 1812; H 26 – Nocturne for piano No. 3 in A-flat major – 1812; H 36 – Nocturne for piano No. 4 in A major – 1817; H 37 – Nocturne for piano No. 5 in B-flat major – 1817; H 40 – Nocturne for piano No. 6 "Cradle Song" in F ...
To some, these nocturnes are not as impressive as their predecessors, the Nocturnes, Op. 27. [2] While each piece "exemplifies one of the composer's various approaches to nocturne form," Blair Johnson felt that, in the piece, the "moments of originality and power stick out in a way that they couldn't have, had the entirety of the pieces been sewn of finer silk."
Ad
related to: chopin field nocturne no 2 imslp 3 major