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An antithesis must always contain two ideas within one statement. The ideas may not be structurally opposite, but they serve to be functionally opposite when comparing two ideas for emphasis. [4] According to Aristotle, the use of an antithesis makes the audience better understand the point the speaker is trying to make. Further explained, the ...
William Shakespeare's Sonnet 43 employs antithesis and paradox to highlight the speaker's yearning for his beloved and sadness in (most likely) their absence, and confusion about the situation described in the previous three sonnets. Sonnet 27 similarly deals with night, sleep, and dreams.
Both chiasmus and antimetabole can be used to reinforce antithesis. [6] In chiasmus, the clauses display inverted parallelism.Chiasmus was particularly popular in the literature of the ancient world, including Hebrew, Greek, Latin and K'iche' Maya, [7] where it was used to articulate the balance of order within the text.
Antithesis: juxtaposition of opposing or contrasting ideas in separate clauses. Aphorismus: statement that calls into question if a word or phrase is properly used to characterize a subject. Aposiopesis: breaking off or pausing speech for dramatic or emotional effect, often through the use of dashes or ellipses.
It is often marked by the use of the conjunction ‘but’, placed between two statements to juxtapose them and helps the reader or to view both the positive and negative perspectives of the text. Antithetic parallelism is not to be confused with 'synonymous' or 'synthetic' parallelism , which reflect repeated and expansive ideas respectively.
Hermeneutics – the theoretical underpinnings of interpreting texts, usually religious or literary. Heteroglossia – the use of a variety of voices or styles within one literary work or context. Homeoteleuton – a figure of speech where adjacent or parallel words have similar endings inside a verse, a sentence. Authors often use it to evoke ...
Stichomythia (Ancient Greek: στιχομυθία, romanized: stikhomuthía) is a technique in verse drama in which sequences of single alternating lines, or half-lines (hemistichomythia [1]) or two-line speeches (distichomythia [2]) are given to alternating characters.
The first two parts of the Slavic antithesis are usually similar, while the last verse (the explanation) differs. The first two parts (a question and a negative answer) are descriptive and are simply there to increase the power of the third part (the explanation). Many poems use the same descriptive lines while only changing the last line. [1]