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/h/ is lost without a trace in all positions. [1]If that results in a collision of identical short vowels, they simply form the corresponding long vowel. Cf. /koˈhorte/ > /ˈkoːrte/.
This period is estimated to have lasted only a century or so, the 4th to 5th; the time during which the Franks started to spread south into Gaul (France) and the various coastal people began colonising Britain. Changes in this period affected the Ingvaeonic languages, but not the more southerly Central and Upper German languages.
In a typological scheme first systematized by Henry M. Hoenigswald in 1965, a historical sound law can only affect a phonological system in one of three ways: . Conditioned merger (which Hoenigswald calls "primary split"), in which some instances of phoneme A become an existing phoneme B; the number of phonemes does not change, only their distribution.
A double period is, "a group of at least four phrases...in which the first two phrases form the antecedent and the third and fourth phrases together form the consequent." [ 12 ] When analyzing Classical music , contemporary music theorists usually employ a more specific formal definition, such as the following by William Caplin:
Romantic music is a stylistic movement in Western Classical music associated with the period of the 19th century commonly referred to as the Romantic era (or Romantic period). It is closely related to the broader concept of Romanticism —the intellectual, artistic, and literary movement that became prominent in Western culture from about 1798 ...
In historical linguistics, a sound change is a change in the pronunciation of a language. A sound change can involve the replacement of one speech sound (or, more generally, one phonetic feature value) by a different one (called phonetic change) or a more general change to the speech sounds that exist (phonological change), such as the merger of two sounds or the creation of a new sound.
The trill (or shake, as it was known from the 16th until the early 20th century) is a musical ornament consisting of a rapid alternation between two adjacent notes, usually a semitone or tone apart, which can be identified with the context of the trill [2] (compare mordent and tremolo).
This change took place around the 17th century. In the word often, the [t] sound later came to be re-inserted by some speakers as a spelling pronunciation. [42] An earlier reduction that took place in early Middle English was the change of /ts/ to /s/ (the sent-cent merger). This led to the modern sound of soft c .