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Theodore DeReese Pendergrass (March 26, 1950 – January 13, 2010) was an American soul and R&B singer-songwriter. He was born in Kingstree, South Carolina. [2] [3] [4] Pendergrass lived most of his life in the Philadelphia area, and initially rose to musical fame as the lead singer of Harold Melvin & the Blue Notes.
The Get Down (Score Soundtrack from the Netflix Original Series) is the official score for both the first and the second part of The Get Down featuring original orchestral music and vocal performances, released by RCA Records on September 8, 2017. The score of the series was composed by Elliott Wheeler.
Life Is a Song Worth Singing is the second studio album by American musician Teddy Pendergrass. [1] It was released on June 2, 1978, by Philadelphia International Records and Sony Music Entertainment.
The Get Down (Original Soundtrack from the Netflix Original Series) is the official soundtrack for the first part of the TV series The Get Down featuring various artists, released by RCA Records on August 12, 2016.
The music at this stage was pure rock music. Wild Cherry eventually gained a record contract with Brown Bag Records, owned and operated by Terry Knight. [1] Brown Bag produced several demos and singles that were later distributed by United Artists, including "Get Down" (1973) and "Show Me Your Badge" (1973).
Give It Up or Turnit a Loose – 2:50; I Don't Want Nobody to Give Me Nothing (Open up the Door, or I'll Get it Myself) – 3:04; Mother Popcorn – 3:16; Ain't it Funky Now – 3:07; Disc two. Get Up (I Feel Like Being a) Sex Machine; Super Bad – 5:00; Soul Power – 3:20; Hot Pants – 3:06; Make It Funky – 3:14; Talkin' Loud and Sayin ...
Beck missed the second half of the game, and backup quarterback Gunner Stockton took over and led the Bulldogs to the win in overtime. That secured them a spot in the College Football Playoff and ...
Laina Dawes, the author of What Are You Doing Here: A Black Woman's Life and Liberation in Heavy Metal, believes respectability politics is the reason artists like Davis do not get the same recognition as their male counterparts: "I blame what I call respectability politics as part of the reason the funk-rock some of the women from the '70s ...