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Books published by Elder Signs Press were trade paperbacks available via Ingram Books, Baker & Taylor, Alliance Game Distributors, Diamond Comics. They were distributed by the Independent Publishers Group (IPG) and, at the height of the company's activity, had titles carried by major booksellers such as Borders Books and Barnes & Noble.
The company acquired Down Place, renaming it Bray Studios, and was based there until 1966. Under the pseudonym John Elder he was a prolific screenwriter and from the mid-1960s he concentrated on this activity, though he produced the TV series Journey to the Unknown for LWT (1968–69) and The Lost Continent (1968). [ 7 ]
The paperback was published by Three Rivers Press in September 2008. Look Me in the Eye was also published and distributed by Random House in Canada, Australia and New Zealand. The United Kingdom edition is available from Ebury Books.
John Elder Robison (born August 13, 1957) [1] is the American author of the 2007 memoir Look Me in the Eye, detailing his life with undiagnosed Asperger syndrome and savant abilities, and of three other books. Robison wrote his first book at age 49.
Each Agora company is independently operated. U.S.-based member companies of The Agora's network include: Agora Financial, Laissez Faire Books, Common Sense Publishing, The Oxford Club, Money Map Press, Wall Street Daily, Bonner and Partners, TradeSmith, NewMarket Group, Institute of Natural Healing, Banyan Hill Publishing, and Omnivista Health.
Author Solutions is the parent company of a number of vanity presses, including AuthorHouse, iUniverse, Trafford Publishing, Xlibris, Palibrio, and Booktango. [2] The company is headquartered in Bloomington, Indiana , and has been owned by Najafi Companies since 2015.
Founded in 1988 by Richard Seaver and his wife Jeannette, it was originally an independent company publishing trade fiction and nonfiction. [1] [2] After declaring bankruptcy following Richard's death in 2009, Arcade was acquired by Skyhorse Publishing in 2010 and relaunched the following year. [3]
From contemporary reviews, Howard Thompson of The New York Times wrote, "For the first half, the latest Frankenstein go-round has a succinct pull and a curious dignity ... the picture begins to say something about superstition and hypocrisy. Then it simply goes hog-wild (monster gets drunk) and heads for the ash heap."