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The term 'leadlight' could be used to describe any window in which the glass is supported by lead, but traditionally, a distinction is made between stained glass windows and leadlights; the former is associated with the ornate coloured-glass windows of churches and similar buildings, while the latter is associated with the windows of vernacular ...
Stained glass windows in houses were particularly popular in the Victorian era and many domestic examples survive. In their simplest form they typically depict birds and flowers in small panels, often surrounded with machine-made cathedral glass which, despite what the name suggests, is pale-coloured and textured. Some large homes have splendid ...
In 1949, the panels were acquired by Richard King and placed into storage until they were acquired in the late 1970s by the Hugh Lane Gallery for IR£20,000. [45] 1930 Mr. Gilhooley Based on a work of the same name by Liam O'Flaherty. It is the original panel from the Geneva Window, but a second panel was made due to a crack in the figure's ...
When the dazzling 16-foot-high leaded stained- glass window arrived in Canton in 1913, it made front-page news—and postponed the new church’s dedication by a week because of a shipping delay.
The Flamboyant windows gradually abandoned mosaic-like appearance of the early stained glass windows, and came more and more to resemble paintings. [ 21 ] One distinctive feature of the flamboyant was a curvilinear design of the stone mullions within the arched top of windows which, with some imagination, resembled flames agitated by the wind.
The resulting solid panel is quite durable and appropriate for architectural settings or outdoor panels. [ citation needed ] The use of thicker glass produces deeper colour effects than traditional lead came stained-glass, especially when illuminated by bright natural or artificial light.
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