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Woodcut is a relief printing technique in printmaking. An artist carves an image into the surface of a block of wood—typically with gouges—leaving the printing parts level with the surface while removing the non-printing parts. Areas that the artist cuts away carry no ink, while characters or images at surface level carry the ink to produce ...
Example of a 16th-century woodcut, Dürer's Rhinoceros, by Albrecht Dürer, 1515. In 15th- and 16th-century Europe, woodcuts were a common technique in printmaking and printing, yet their use as an artistic medium began to decline in the 17th century. They were still made for basic printing press work such as newspapers or almanacs.
Woodblock printing or block printing is a technique for printing text, images or patterns used widely throughout East Asia and originating in China in antiquity as a method of printing on textiles and later on paper.
Printmaking techniques are generally divided into the following basic categories: Relief, where ink is applied to the original surface of the matrix, while carved or displaced grooves are absent of ink. Relief techniques include woodcut or woodblock, wood engraving, linocut and metalcut.
The "Provincetown Print", a white-line woodcut print, was attributed to this group. Rather than creating separate woodblocks for each color, one block was made and painted. Small groves between the elements of the design created the white line. [3] Because the artists often used soft colors, they sometimes have the appearance of a watercolor ...
Woodcut printing involved carving intricate designs into wooden blocks, which were then inked and pressed onto paper. This technique enabled the mass production of prints at a low cost, making them widely accessible. Battala, an important center for woodcuts, saw multiple artisans collaborating in the production process.
Relief printing is a family of printing methods where a printing block, plate or matrix, which has had ink applied to its non-recessed surface, is brought into contact with paper. The non-recessed surface will leave ink on the paper, whereas the recessed areas will not.
For example, if stored in paper folders, the prints can become acidic. Using acid-free storage materials can prevent these acidic processes. Storage materials such as folders or boxes can also prevent light from reaching the print, and further reduce damage to light-sensitive materials.