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Hold That Lion! was filmed on January 28–31, 1947, the first film produced after the new year. The film premiered the final version of "Three Blind Mice" as the Stooges' theme music, an updated, faster version arranged by Spud Murphy in the key of F major (the Curly period featured versions in G major, making it easy to differentiate between the two eras).
Writing on the film's 20th anniversary for The A.V. Club, Alex McLevy said the film "is the work of a talented director, cinematographer, and actors all elevating an oft-clumsy script into a smart and gripping yarn", adding it "sneaks some interesting and subtle themes about gender and interpersonal relationships into its cat-and-mouse games". [26]
MC Skat Kat was created by Michael Patterson and performed by the Wild Pair duo of Bruce DeShazer and Marv Gunn on "Opposites Attract". MC Skat Kat's rap was written and performed by Derrick Stevens, although Romany Malco, who did the majority of the writing for the M.C. Skat Kat & the Stray Mob album, is often mistakenly credited for being the voice of the rap on Opposites Attract, a story ...
First Felix short film from Copley Pictures. Went in the public domain on January 1, 2025. One Good Turn view: June 22, 1929: Went in the public domain on January 1, 2025. Romeeow view 1, view 2: 1929: Not to be confused with Felix as Roameo. Went in the public domain on January 1, 2025. The Cat's Meow [6] 1929: Lost film. Went in the public ...
"Up the Junction" is the third single released from Squeeze's second album, Cool for Cats. Sung by Glenn Tilbrook, it is one of the band's most popular and well-remembered songs (especially in the UK), and reached number 2 on the UK Singles Chart, the same position as its predecessor, "Cool for Cats".
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"Cool for Cats" is a song by English rock band Squeeze, released as the second single from their album of the same name. The song features a rare lead vocal performance from cockney-accented Squeeze lyricist Chris Difford, one of the only two occasions he sang lead on a Squeeze single A-side (the other was 1989's "Love Circles").
The first song he listened to—"Bordoneo y 900", performed by Juan José Mosalini and his Big Tango Orchestra—secured his attention and became the song he chose for the production. [8] For the final film's score, the creators hired Mosalini and Big Tango Orchestra, [ 7 ] who recorded in France a new version of "Bordoneo y 900". [ 9 ]