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"Wait till You See Her" (or, optionally, "Wait till You See Him") is a popular song. The music was written by Richard Rodgers, the lyrics by Lorenz Hart. The song was published in 1942. It was introduced in the musical play By Jupiter (1942), where it was performed by Ronald Graham. [1] Since then, the song has been recorded by many artists. [2]
The AllMusic review by Michael G. Nastos awarded the album 3½ stars, stating, "John Abercrombie's longstanding partnership with Mark Feldman has yielded several albums of exquisite music, and Wait Till You See Her is no different. The mood is naturally restrained, contemplative, and introspective as you would expect, while there's a common ...
In a positive retrospective review written for the CD release, AllMusic reviewer Scott Yanow praises Dearie's voice, writing its "sincerity and sense of swing wins one over after a few songs" and her "piano playing is first class". [1] In 2019, record club Vinyl Me, Please. reissued the album on vinyl. This was the first time the album was re ...
It was released as the sixth single from her fourth studio album, The Element of Freedom (2009). [1] The ballad was released on December 13, 2010. [2] [3] The Keys and "Wait Till You See My Smile" featured on the new Samsung DualView Commercial. The song was featured on the 13th episode of the sixth season of Grey's Anatomy.
He felt "Song #2" ended prematurely while the long-meter arrangement of "Wait till You See Her" sounded unusual, but found "Once upon a Summertime" to be brilliantly recorded and "Summer Night" highlighted by Davis and Feldman's "consistent level of lyrical beauty". [11]
"Lover" is a popular song composed by Richard Rodgers with lyrics by Lorenz Hart. It was sung in the movie Love Me Tonight (1932) by Jeanette MacDonald. [1]Popular recordings in 1933 were by Paul Whiteman [1] and His Orchestra (vocal by Jack Fulton), Guy Lombardo and His Royal Canadians, and Greta Keller.
"Where or When" is the first number to appear in the original Broadway production of Babes in Arms.The musical opens in fictional Seaport, Long Island on a hectic morning that finds most of the adult population embarking on a five-month vaudeville tour.
Bing Crosby and Mary Martin sang it in the 1941 film Birth of the Blues, and also recorded it for Decca Records on March 13, 1942. [5] Harry James recorded a version in 1941 on Columbia 36466. In a long-standing tradition, floor traders at the New York Stock Exchange sing this song on the last trading day of every year and on Christmas Eve. [ 6 ]