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An audio conversion app (also known as an audio converter) transcodes one audio file format into another; for example, from FLAC into MP3. It may allow selection of encoding parameters for each of the output file to optimize its quality and size.
"Perfume" is a song by American singer Britney Spears, taken from her eighth studio album, Britney Jean (2013). It was written by Spears, Sia and Christopher Braide, while the song was produced by will.i.am and co-produced by Keith Harris and Braide. The song was released as the second single from the album on November 3, 2013 by RCA Records.
"Nee" (ねぇ, "Hey") is the seventeenth single released by Japanese girl group Perfume. "Nee" is used in a tie-in campaign with Japanese apparel brand Natural Beauty Basic, as well as the opening song for the anime Koneko no Chi Ponponra Daibōken. The full version of "Nee" was aired on Perfume's radio program Perfume Locks on 21 October 2010. [1]
"Perfume" is a song by the English band Pale Waves, released on 12 June 2024 as the lead single from their album Smitten (2024). The song was written by Pale Waves's frontwoman Heather Baron-Gracie and producer Simon Oscroft. A music video for the song, directed by Georgie Cowan-Turner was also released.
Perfume begun recording their new studio album in mid 2015, and released additional tracks including "Story", "Relax in the City", and "Pick Me Up".[1] [2] Then on November 26, the group released the second and final promotional single titled "Next Stage with You"; the single was released as the theme song to the Japanese launch of the Mercedes-Benz A-Class. [3]
The song became their seventh consecutive single to stall at number two on the Oricon Singles Chart in Japan. The track became their first charting single in Taiwan. Yusuke Tanaka directed the accompanying music video for the single, which shows Perfume as students in a psychic academy. Perfume has performed the song in a number of live ...
"Magic of Love" received favorable reviews from most music critics. Shenmue highlighted the track as an album standout. [9] Patrick St. Michael, writing for The Japan Times, said the composition wasn't an "improvement" but commented that it was "simple, catchy pop"; he felt the track was better than the two other album mix tracks. [8]