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Free indirect discourse can be described as a "technique of presenting a character's voice partly mediated by the voice of the author". In the words of the French narrative theorist Gérard Genette, "the narrator takes on the speech of the character, or, if one prefers, the character speaks through the voice of the narrator, and the two instances then are merged". [1]
In literature, writing style is the manner of expressing thought in language characteristic of an individual, period, school, or nation. [1] As Bryan Ray notes, however, style is a broader concern, one that can describe "readers' relationships with, texts, the grammatical choices writers make, the importance of adhering to norms in certain contexts and deviating from them in others, the ...
While Ulysses represents a major example of the use of stream of consciousness, Joyce also uses "authorial description" and Free Indirect Style to register Bloom's inner thoughts. Furthermore, the novel does not focus solely on interior experiences: "Bloom is constantly shown from all round; from inside as well as out; from a variety of points ...
A parabasis usually consists of three songs (S) alternating with three speeches (s) (or recitatives) in the order S-s-S-s-S-s.The first speech, or parabasis proper - generally in anapaest [3] - often ends with a passage which is to be rattled off very quickly (theoretically in one breath - called a πνῖγος – pnigos).
Narration is the use of a written or spoken commentary to convey a story to an audience. [1] Narration is conveyed by a narrator: a specific person, or unspecified literary voice, developed by the creator of the story to deliver information to the audience, particularly about the plot: the series of events.
For example, in Pride and Prejudice, the plot revolves around the problems caused by primogeniture, as the Bennet property is entailed away from the Bennet daughters, [142] and Sense and Sensibility questions the arbitrariness of property inheritance when the elderly Mr. Dashwood disinherits one side of his nephew's family because of his ...
Authorial intentionalism is the hermeneutical view that an author's intentions should constrain the ways in which a text is properly interpreted. [1] Opponents, who dispute its hermeneutical importance, have labelled this position the intentional fallacy and count it among the informal fallacies .
This diversity of voice is, Bakhtin asserts, the defining characteristic of the novel as a genre. When heteroglossia is incorporated into the novel, it is "another's speech in another's language, serving to express authorial intentions but in a refracted way".