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Eugene Bertram Krupa (January 15, 1909 – October 16, 1973) [1] was an American jazz drummer, bandleader, and composer. [2] [3] Krupa is widely regarded as one of the most influential drummers in the history of popular music.
The Gene Krupa Story (also known as Drum Crazy) is a 1959 biopic of American drummer and bandleader Gene Krupa. [1] The conflict in the film centers on Krupa's rise to success and his corresponding use of marijuana .
With Gene Krupa. Gene Krupa's Sidekicks (Columbia, 1955) Gene Krupa Plays Gerry Mulligan Arrangements (Verve, 1958) Drummin' Man (Columbia, 1963) With others. June Christy, Big Band Specials (Mercury, 1962) Med Flory, Jazz Wave (Jubilee, 1958) Dizzy Gillespie, The New Continent (Limelight, 1965) Neal Hefti, Jazz Pops (Reprise, 1962)
With Gene Krupa. Drummin' Man (Columbia, 1963) 1949 (Alamac, 1974) With Stan Levey. This Time the Drum's On Me (Bethlehem, 1956) Grand Stan (Bethlehem, 1957) With Shelly Manne. My Fair Lady with the Un-original Cast (Capitol, 1964) Manne–That's Gershwin! (Capitol, 1965) With Charlie Mariano. Mariano (Bethlehem, 1955) Charlie Mariano Plays ...
The Allmusic review awarded the album 3 stars stating "Drummer Gene Krupa's final recording as a leader reunited him with the bombastic tenor saxophonist Charlie Ventura... Ventura's extroverted playing (on tenor, alto and baritone) is not for everyone's taste but he is in generally good form, and even an aging Krupa still retains his youthful ...
The Drum Battle – Gene Krupa and Buddy Rich at JATP (later issued as The Original Drum Battle! ) is a 1960 live album by drummers Gene Krupa and Buddy Rich , recorded at a Jazz at the Philharmonic concert at Carnegie Hall in 1952.
[1] [9] She gained notoriety as the "fastest girl drummer," and she started saying "Gene Krupa is the male Viola Smith." [10] Smith performed at president Harry Truman's inauguration in 1949. [1] She remained with the Hour of Charm orchestra until 1954. [9] After Hour of Charm disbanded, Smith led her own band, Viola and her Seventeen Drums.
Noted swing and big-band drummer Gene Krupa said that Hall and Zutty Singleton "were great! They knew every trick and just how to phrase the parts of the choruses behind the horns, how to lead a man in, what to do at the turn-arounds, when to use sticks and when to use brushes, when to go for the rims or the woodblocks, what cymbals are for." [4]
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