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The expatriate American poet Ezra Pound in 1913; Pound collected poems from eleven poets in his first anthology of Imagist poetry, Des Imagistes, published in 1914. Imagism was a movement in early-20th-century poetry that favored precision of imagery and clear, sharp language.
Phanopoeia or phanopeia is defined as "a casting of images upon the visual imagination," [1] throwing the object (fixed or moving) on to the visual imagination. In the first publication of these three types, Pound refers to phanopoeia as "imagism."
Pound photographed in 1913 by Alvin Langdon Coburn. Ezra Weston Loomis Pound (30 October 1885 – 1 November 1972) was an American poet and critic, a major figure in the early modernist poetry movement, and a collaborator in Fascist Italy and the Salò Republic during World War II.
Des Imagistes: An Anthology, edited by Ezra Pound and published in 1914, was the first anthology of the Imagism movement. It was published in The Glebe in February 1914, and later that year as a book by Charles and Albert Boni in New York, and Harold Monro's Poetry Bookshop in London.
Ezra Pound (1885–1972), H.D. (1886–1961), and Richard Aldington (1892–1962), conceived of Imagism in 1913, which Pound defined as poetry written with an economy of words. [22] T.S. Eliot (1888–1965) was among the leading figures at the time. Pound rejected traditional poetic form and meter and of Victorian diction.
Ezra Pound formulated and promoted many precepts and ideas of Imagism. His "In a Station of the Metro" (Roberts & Jacobs, 717), written in 1916, is often used as an example of Imagist poetry: The apparition of these faces in the crowd; Petals on a wet, black bough.
A 1913 photograph of Ezra Pound, one of the most influential modernist poets. The roots of English-language poetic modernism can be traced back to the works of a number of earlier writers, including Walt Whitman, whose long lines approached a type of free verse, the prose poetry of Oscar Wilde, Robert Browning's subversion of the poetic self, Emily Dickinson's compression and the writings of ...
It first appeared in Pound's 1915 collection Cathay. It is the most widely anthologized poem of the collection. [ 1 ] In addition to "The Jewell Stairs' Grievance" and "The Exile's Letter", also included in the collection, Zhaoming Qian has referred to "The River Merchant's Wife" as an " imagist and vorticist [masterpiece]".