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A close-bodied gown, English nightgown, or robe à l'anglaise was a women's fashion of the 18th century. Like the earlier mantua , from which it evolved, [ 1 ] the back of the gown featured pleats from the shoulder, stitched down to mould the gown closely to the body until the fullness was released into the skirt.
The robe à l'anglaise or close-bodied gown featured back pleats sewn in place to fit closely to the body, and then released into the skirt which would be draped in various ways. Elaborate draping " à la polonaise " became fashionable by the mid-1770s, featuring backs of the gowns' skirts pulled up into swags either through loops or through ...
The robe à l'anglaise or close-bodied gown featured back pleats sewn in place to fit closely to the body, and then released into the skirt which would be draped in various ways. The Brunswick dress was a two-piece costume of German origin consisting of a hip-length jacket with "split sleeves"—flounced elbow-length sleeves and long, tight ...
The less formal robe à l'anglaise, Close-bodied gown or "nightgown" could also have a pleated back, but these pleats would be sewn down to fit the back of the bodice to the body and waist. Other versions of the gown simply had a seam along the back of the bodice. [3] This gown featured a snug bodice with a full skirt worn without panniers ...
Court dress, the grand habit de cour or "stiff-bodied" gown, retained the styles of the 1670s after it had been replaced by the mantua dress in all other but the most formal occasions in the end of the 17th-century. It featured a low, oval neckline that bared the shoulders, and the heavily boned bodice laced closed in back, unlike the front ...
Mary Duffy's Big Beauties was the first model agency to work with hundreds of new plus-size clothing lines and advertisers. For two decades, this plus-size category produced the largest per annum percentage increases in ready-to-wear retailing. Max Mara started Marina Rinaldi, one of the first high-end clothing lines, for plus-size women in ...
The ruff, which was worn by men, women and children, evolved from the small fabric ruffle at the neck of the shirt or chemise. Ruffs served as changeable pieces of cloth that could themselves be laundered separately while keeping the wearer's doublet or gown from becoming soiled at the neckline. The stiffness of the garment forced upright ...
Traditional formal headgear for men is the top hat, and for women picture hats etc. of a range of interpretations. Shoes for men are dress shoes, dress boots or pumps and for women heeled dress pumps. In western countries, a "formal" or white tie dress code typically means tailcoats for men and evening dresses for women.
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