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"Ode on a Grecian Urn" is a poem written by the English Romantic poet John Keats in May 1819, first published anonymously in Annals of the Fine Arts for 1819 [1] ...
[30] Charles Patterson argued the relationship of "Ode on a Grecian Urn" as the greatest 1819 ode of Keats: "The meaningfulness and range of the poem, along with its controlled execution and powerfully suggestive imagery, entitle it to a high place among Keats's great odes. It lacks the even finish and extreme perfection of "To Autumn" but is ...
Keats was aware of other works on classical Greek art, and had first-hand exposure to the Elgin Marbles, all of which reinforced his belief that classical Greek art was idealistic and captured Greek virtues, which forms the basis of the poem. "Ode on a Grecian Urn" was not well received by contemporary critics.
The poem relies on a first-person narration style similar to "Ode to Psyche". [13] It begins with a classical scene from an urn in a similar manner to "Ode on a Grecian Urn", but the scene in "Indolence" is allegorical. The opening describes three figures that operate as three fates: [14]
"Ode on Melancholy" consists of three stanzas with ten lines each. Because the poem has fewer stanzas than "Ode on Indolence" and "Ode on a Grecian Urn", the rhyme scheme appears less elaborate, with the
Between April 21 and the end of May Keats writes La Belle Dame sans Merci and most of his major odes: Ode to Psyche, Ode on a Grecian Urn, Ode to a Nightingale, Ode on Indolence and Ode on Melancholy. In the summer he writes Lamia; on September 19 he writes his ode To Autumn at Winchester; [2] and on October 19 proposes marriage to Fanny.
Ode to Apollo (1815) Robin Hood (To a Friend) (1818) Lines on the Mermaid Tavern (1818) Ode to Maia (1818) Bards of Passion and of Mirth (1818) Ode to Fanny (1819) 1819 odes: Ode on a Grecian Urn; Ode on Indolence; Ode on Melancholy; Ode to a Nightingale; Ode to Psyche; To Autumn
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