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Rudolf Stingel (born 1956) is an artist based in New York City.. Stingel was born in Merano, Italy.His work engages the audience in dialogue about their perception of art [1] and uses conceptual painting and installations to explore the process of creation. [2]
In 1539 James V had a green damask canopy fringed with gold and silk and another of red damask for this purpose. [102] Mary, Queen of Scots, had a stool of ease covered with green velvet, three with "purpour" and "crammosie broun" velvet, one with yellow damask, and another iron-bound stool covered with leather. These contained tin or pewter ...
The kitchen-living room of the early colonists was chosen to portray the sturdy simplicity of life in America during the 1650s. [21] The room's focus is a nine-foot fireplace constructed from 200-year-old handmade bricks with "fixings" of a log hook, heavy iron kettles, a spider, gridiron, longhandled waffle iron, bread shovel, skewers, ladles ...
This level was added during the 1948–1952 renovation, [1] [2] [3] and contains the air conditioning and water softening equipment. [4] [5] [6] The sub-basement and mezzanine also contain storage areas, the heating system, elevator machinery rooms, an incinerator, a medical clinic, a dentist's office, [6] the electrical control system, [1] a laundry room, [6] [1] [7] and flatware and dishware ...
The dining room included gilded decorations, mirrored panels, and damask tapestries on its walls; cream-and-gold decorations on the ceiling; and crystal chandeliers. [ 32 ] [ 41 ] On Broadway was a banquet hall with a vaulted ceiling , measuring 80 by 32 feet (24.4 by 9.8 m) across.
Damask (/ˈdæməsk/; Arabic: دمشق) is a woven, reversible patterned fabric. Damasks are woven by periodically reversing the action of the warp and weft threads. [ 1 ] The pattern is most commonly created with a warp-faced satin weave and the ground with a weft-faced or sateen weave. [ 2 ]
On top of the white, cobalt blue, green copper, and purple manganese oxides were used to make vibrant, shimmering surfaces with the appearance of gold and other precious metals. Similarly to tile and stucco work, ceramic motifs included vegetal patterns, in addition to figurative motifs, calligraphy, and geometric patterns and images.
The great dining room in the east wing extension of the house was added in 1877 to designs by John Macvicar Anderson, its walls hung with faded, red damask silk. Numerous fireplaces and furnishings were brought to Althorp from Spencer House in London during the Blitz for safekeeping and still remain.
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