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Only ser is used to equate one noun phrase with another, and thus it is the verb for expressing a person's occupation ("Mi hermano es estudiante"/"My brother is a student"). For the same reason, ser is used for telling the date or the time, regardless of whether the subject is explicit ("Hoy es miércoles"/"Today is Wednesday") or merely ...
The Spanish copulas are ser and estar.The latter developed as follows: stare → *estare → estar. The copula ser developed from two Latin verbs. Thus its inflectional paradigm is a combination: most of it derives from svm (to be) but the present subjunctive appears to come from sedeo (to sit) via the Old Spanish verb seer.
Similarly, the participle agrees with the subject when it is used with ser to form the "true" passive voice (e.g. La carta fue escrita ayer 'The letter was written [got written] yesterday.'), and also when it is used with estar to form a "passive of result", or stative passive (as in La carta ya está escrita 'The letter is already written.').
In linguistics, a copula /‘kɒpjələ/ (pl.: copulas or copulae; abbreviated cop) is a word or phrase that links the subject of a sentence to a subject complement, such as the word is in the sentence "The sky is blue" or the phrase was not being in the sentence "It was not being cooperative."
taiyou-wa sun- TOP higashi-kara east-from nobo-ru rise- IPFV taiyou-wa higashi-kara nobo-ru sun-TOP east-from rise-IPFV "the sun rises in the east" whereas the ga (subject) particle would force an episodic reading. English English has no means of morphologically distinguishing a gnomic aspect; however, a generic reference is generally understood to convey an equivalent meaning. Use of the ...
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Ser, a village in Bogdand Commune, Satu Mare County, Romania Serpens (Ser), an astronomical constellation of the northern hemisphere Serres , known as Ser in Serbian, a city in Macedonia, Greece
"Que Será, Será (Whatever Will Be, Will Be)" [a] is a song written by Jay Livingston and Ray Evans and first published in 1955. [4] Doris Day introduced it in the Alfred Hitchcock film The Man Who Knew Too Much (1956), [5] singing it as a cue to their onscreen kidnapped son. [4]