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Reverberation time is a measure of the time required for the sound to "fade away" in an enclosed area after the source of the sound has stopped. When it comes to accurately measuring reverberation time with a meter, the term T 60 [ 6 ] (an abbreviation for reverberation time 60 dB) is used.
In a reverberant space, the sound perceived by a listener is a combination of direct and reverberant sound. The ratio of direct sound is dependent on the distance between the source and the listener, and upon the reverberation time in [the room]. At a certain distance the two will be equal. This is called the "critical distance."
Summing up these contributions, a reverberant pressure field is created. The more reverberation, the more the field is diffused. Two oft-used measures of reverberation time quantify this parameter, : and . These values are the interval for the sound pressure level to the lower of 30 or 60 dBSPL. It can be obtained by measuring the sound ...
The most appropriate reverberation time depends on the use of the room. RT60 is a measure of reverberation time. [9] Times about 1.5 to 2 seconds are needed for opera theaters and concert halls. For broadcasting and recording studios and conference rooms, values under one second are frequently used. The recommended reverberation time is always ...
Diffusion, in architectural acoustics, is the spreading of sound energy evenly in a given environment. A perfectly diffusive sound space is one in which the reverberation time is the same at any listening position. Most interior spaces are non-diffusive; the reverberation time is considerably different around the room.
How well a room absorbs sound is quantified by the effective absorption area of the walls, also named total absorption area. This is calculated using its dimensions and the absorption coefficients of the walls. [4] The total absorption is expressed in Sabins and is useful in, for instance, determining the reverberation time of auditoria.
To maximize gain before feedback, the amount of sound energy that is fed back to the microphones must be reduced as much as is practical.As sound pressure falls off with 1/r with respect to the distance r in free space, or up to a distance known as reverberation distance in closed spaces (and the energy density with 1/r²), it is important to keep the microphones at a large enough distance ...
For example, in architectural acoustics the rectilinear trajectories of sound rays make it possible to determine reverberation time in a very simple way. The operation of fathometers and hydrolocators is based on measurements of the time required for sound rays to travel to a reflecting object and back. The ray concept is used in designing ...