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Wolfsangel (German pronunciation: [ˈvɔlfsˌʔaŋəl], translation "wolf's hook") or Crampon (French pronunciation: [kʁɑ̃pɔ̃]) is a heraldic charge from mainly Germany and eastern France, which was inspired by medieval European wolf traps that consisted of a Z-shaped metal hook (called the Wolfsangel, or the crampon in French) that was hung by a chain from a crescent-shaped metal bar ...
Legal disclaimer This image shows (or resembles) a symbol that was used by the National Socialist (NSDAP/Nazi) government of Germany or an organization closely associated to it, or another party which has been banned by the Federal Constitutional Court of Germany.
In Saxony, a black wolf rampant on a yellow shield features on the crest of von Wolfersdorf family. A green wolf grasping a dead swan in its jaws on a yellow shield is depicted on the crest and Arms of the Counts von Brandenstein-Zeppelin. In Italian heraldry, the attributed arms of Romulus and Remus were said to depict the Capitoline Wolf. An ...
Ancient pictures of the Roman twins usually follow certain symbolic traditions, depending on the legend they follow: they either show a shepherd, the she-wolf, the twins under a fig tree, and one or two birds (Livy, Plutarch); or they depict two shepherds, the she-wolf, the twins in a cave, seldom a fig tree, and never any birds (Dionysius of ...
The image of the she-wolf suckling Romulus and Remus has been a symbol of Rome since ancient times, and one of the most recognizable icons of ancient mythology. [5] The sculpture has been housed since 1471 in the Palazzo dei Conservatori on the Campidoglio (the ancient Capitoline Hill ), Rome, Italy , and many replicas are in various places ...
Elaborating on the connection between wolves and figures of great power, he writes: "This is why Geri and Freki, the wolves at Woden's side, also glowered on the throne of the Anglo-Saxon kings. Wolf-warriors, like Geri and Freki, were not mere animals but mythical beings: as Woden's followers they bodied forth his might, and so did wolf-warriors."
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By 269 BC, the silver didrachm is the earliest depiction of the complete icon, with the characteristic "turning of the she-wolf's head" backward and downward at the twins. [12] The distinctive imagery of the she-wolf and the twins made it more recognizable than other symbols of the city, such as Roma, the patron deity of the city, or the Roman ...