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Compression and limiting are identical in process but different in degree and perceived effect. A limiter is a compressor with a high ratio and, generally, a fast attack time. Compression with ratio of 10:1 or more is generally considered limiting. [25] Brick wall limiting has a very high ratio and a very fast attack time. Ideally, this ensures ...
A sound engineer at the controls of a SSL9000J mixer. Most, but not all, audio mixers can use monaural signals to produce simulated stereo sound through panning. provide phantom power required by condenser microphones. Some mixers can add onboard external effect units (reverb, echo, delay). Mixers with onboard digital effects typically offer a ...
Some digital mixers allow multiple internal effects to be inserted virtually, still others allow one or more third-party plugins to be inserted. Inserts might be found on monoaural mixer inputs, monoaural and stereo subgroups, auxiliary inputs, main outputs and matrix outputs, but are rarely found on stereo line level inputs.
A rack of electronic audio compressors. Dynamic range compression is designed to help the audio engineer to manage the dynamic range of audio signals. Prior to the invention of automatic compressors, audio engineers accomplished the same goal by "riding the faders", listening carefully to the mix and lowering the faders of any singer or ...
Many digital mixers have controls that mimic the classic look and feel of analog mixers. This is comparable to a fly-by-wire system in modern aircraft. The controls are similar, but the underlying mechanism has changed from voltage levels to binary information. Third-party plug ins can add functionality in a digital mixer.
The signal from the auxiliary send is often routed through outboard audio processing effects units (e.g., reverb, digital delay, compression, etc.) and then returned to the mixer using an auxiliary return input jack, thus creating an effects loop. This allows effects to be added to an audio source or channel within the mixing console.
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There are two related purposes for a direct box: audio and electrical. The audio purpose is to deliver a clean, unaltered instrument signal to a mixing console or recording device, where it may be processed using other devices (equalization, compression, modulation, reverberation, etc.) to meet the needs of the audio production.
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