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  2. Jazz improvisation - Wikipedia

    en.wikipedia.org/wiki/Jazz_improvisation

    Jazz improvisation by Col Loughnan (tenor saxophone) at the Manly Jazz Festival with the Sydney Jazz Legends. Loughnan was accompanied by Steve Brien (guitar), Craig Scott (double bass, face obscured), and Ron Lemke (drums). Jazz improvisation is the spontaneous invention of melodic solo lines or accompaniment parts in a performance of jazz ...

  3. Category:Free improvisation - Wikipedia

    en.wikipedia.org/wiki/Category:Free_improvisation

    Download as PDF; Printable version; In other projects ... Free jazz (1 C, 3 P) Pages in category "Free improvisation"

  4. Outside (jazz) - Wikipedia

    en.wikipedia.org/wiki/Outside_(jazz)

    The term outside is commonly used by jazz musicians playing in a post-bop idiom, but despite its frequent use in musicians’ jargon there is no set or standardized definition for it. As the term is commonly understood, outside is not a direct synonym to terms such as free improvisation , polytonality or atonality but a musical phenomenon in ...

  5. Category:Jazz terminology - Wikipedia

    en.wikipedia.org/wiki/Category:Jazz_terminology

    Print/export Download as PDF; Printable version; In other projects Wikidata item; ... Jazz improvisation; Jazz standard; Jump blues; L. Lead sheet; Lick (music) ...

  6. Free improvisation - Wikipedia

    en.wikipedia.org/wiki/Free_improvisation

    Download as PDF; Printable version ... In late 1970s New York a group of musicians came together who shared an interest in free improvisation as well as rock, jazz ...

  7. Bar-line shift - Wikipedia

    en.wikipedia.org/wiki/Bar-line_shift

    Bar-line shift on rhythm changes B section Play ⓘ.. In jazz, a bar-line shift is a technique in which, during improvisation, one plays the chord from the measure before, as an anticipation of a chord, or after the given chord, as a delay, either intentionally or as an "accident."

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  9. S.P.I.T. (music) - Wikipedia

    en.wikipedia.org/wiki/S.P.I.T._(music)

    S.P.I.T. or sometimes simply called SPIT is a methodology developed by Mark and Jane Shellhammer, is a specific way of learning musical improvisation.The letters S.P.I.T. is an acronym for scale, pattern, inversion, and triad and usually pertains to the first four chord types which include major 7, dominant 7, minor 7, and half-diminished expressed in all twelve key signatures.