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Bathsheba at Her Bath (or Bathsheba with King David's Letter) is an oil painting by the Dutch artist Rembrandt (1606–1669), finished in 1654.. A depiction that is both sensual and empathetic, it shows a moment from the Old Testament story related in 2 Samuel 11 in which King David sees Bathsheba bathing and, entranced, impregnates her. [1]
Rembrandt may have intended moral implications in the dramatic use of light and shadow, with Joseph seen radiantly illuminated on the left side of the print and Potiphar's wife surrounded by the darkness of her bedchamber on the right.
Peter's vision of a sheet with animals, the vision painted by Domenico Fetti (1619) Illustration from Treasures of the Bible by Henry Davenport Northrop, 1894. According to the Acts of the Apostles, chapter 10, Saint Peter had a vision of a vessel (Greek: σκεῦος, skeuos; "a certain vessel descending upon him, as it had been a great sheet knit at the four corners") full of animals being ...
Old Woman Reading, also known as Old Woman Reading a Lectionary, is an oil painting by the Dutch painter Gerrit Dou, made c. 1631–1632. In the past the work was attributed to Rembrandt and was titled Rembrandt's Mother, but this attribution has long been rejected.
While the Eastern Church does not generally create three-dimensional religious art, Eleusa-style reliefs and sculptures, as well as icons, have also been used in the Western Church. The Pelagonitissa is a variant in which the infant Jesus makes an abrupt movement.
The Greek noun sophia is the translation of "wisdom" in the Greek Septuagint for Hebrew חכמות Ḥokmot.Wisdom is a central topic in the "sapiential" books, i.e. Proverbs, Psalms, Song of Songs, Ecclesiastes, Book of Wisdom, Wisdom of Sirach, and to some extent Baruch (the last three are Apocryphal / Deuterocanonical books of the Old Testament.)
The verse could also just mean flowers in general, rather than a specific variety. "In the field" implies that these are the wildflowers growing in the fields, rather than the cultivated ones growing in gardens. Harrington notes that some have read this verse as originally referring to beasts rather than flowers. [6]
The Light of the World (Keble College version). The Light of the World (1851–1854) is an allegorical painting by the English Pre-Raphaelite artist William Holman Hunt (1827–1910) representing the figure of Jesus preparing to knock on an overgrown and long-unopened door, illustrating Revelation 3:20: "Behold, I stand at the door and knock; if any man hear My voice, and open the door, I will ...