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The Battle of Helm's Deep, also called the Battle of the Hornburg, is a fictional battle in J. R. R. Tolkien's The Lord of the Rings that saw the total destruction of the forces of the Wizard Saruman by the army of Rohan, assisted by a forest of tree-like Huorns.
Théoden is an important character in Peter Jackson's Lord of the Rings film trilogy. [21] [22] The character, played by Bernard Hill, first appears in The Two Towers (2002). [23] [24] However, unlike in the books, the Lord of the Mark is actually possessed and prematurely aged by Saruman (Christopher Lee).
The Battle of the Pelennor Fields ([pɛˈlɛnnɔr]), in J. R. R. Tolkien's novel The Lord of the Rings, was the defence of the city of Minas Tirith by the forces of Gondor and the cavalry of its ally Rohan, against the forces of the Dark Lord Sauron from Mordor and its allies the Haradrim and the Easterlings. It was the largest battle in the ...
Éomer plays a major role in the Battle of the Pelennor Fields, the pivotal battle of The Return of the King against the forces of the Dark Lord Sauron from Mordor. After leading a successful cavalry charge, he is dismayed to find Théoden mortally wounded. Théoden appoints him King of Rohan with his dying breath.
Helm's Deep, a pivotal part of the film's narrative, was built at Dry Creek Quarry with its gate, a ramp, and a wall, which included a removable section as well as the tower on a second level. A 1:4-scale miniature of Helm's Deep that ran 50 feet (15 m) wide was used for forced perspective shots, [22] as well as the major explosion sequence. [21]
The siege of Helm’s Deep from The Two Towers and the battle at the Pelennor Fields from Return of the King remain some of the highest achievements of 21st century blockbuster cinema.
“The Lord of the Rings: The Rings of Power, season 2, episode 7 is a spectacular episode, epic in scope, and wildly entertaining,” wrote M.N. Miller for FandomWire.
A quality of literature that Tolkien particularly prized, and sought to achieve in The Lord of the Rings, was the impression of depth, of hidden vistas into ancient history. He found this especially in Beowulf , but also in other works that he admired, such as Virgil 's Aeneid , Shakespeare 's Macbeth , Sir Orfeo , and Grimms' Fairy Tales . [ 31 ]