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It serves as the main theme for the Harry Potter film series, based on the series of popular fantasy novels of the same name by author J. K. Rowling. The theme first appears in the opening credits of The Philosopher's Stone in the "Prologue" track, a shortened version of the full five-minute theme, which is not featured entirely until the ...
"Hedwig's Theme" has been interpolated in the fourth through eighth Harry Potter film scores, including in those by Patrick Doyle, Nicholas Hooper, and Alexandre Desplat and the spin-off Fantastic Beasts scores by James Newton Howard. It also appears in the scores to the last four Harry Potter video games, all composed by James Hannigan ...
Other musicians credited with writing the Harry Potter music include Jarvis Cocker, The Ordinary Boys, and Nick Cave and the Bad Seeds. Jeremy Soule and James Hannigan wrote the music for the Harry Potter video games. J. Scott Rakozy, Peter Murray, and Chuck E. Myers "Sea" composed the music for Hogwarts Legacy.
This is an accepted version of this page This is the latest accepted revision, reviewed on 22 January 2025. American composer and conductor (born 1932) This article is about the composer. For other people named John Williams, see John Williams (disambiguation). John Williams Williams in 2024 Born John Towner Williams (1932-02-08) February 8, 1932 (age 92) New York City, U.S. Occupations ...
Harry Potter and the Order of the Phoenix (Original Motion Picture Soundtrack) is the soundtrack to the 2007 film of the same name, based on the book by J. K. Rowling. Nicholas Hooper composed the film's score, following John Williams, who scored the first three films, and Patrick Doyle, who did the fourth.
The soundtrack received critical acclaim. Jorn Tillnes of Soundtrack Geek gave the soundtrack a 9/10 and noted, "Part 2 ends in anything but tears. It is a joy to listen to just like Part 1 and using the Hedwig's Theme by John Williams, which is the ultimate Harry Potter theme after all, is a brilliant touch."
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The reception for the soundtrack of Part 1 was overall positive. The first review of the soundtrack was released on 31 October 2010 by Jonathan Broxton, who rated the score 5/5, saying that "This score is one of Desplat’s greatest achievements and highlights everything I love about his work; the orchestral textures, the intricate use of unexpected instruments in unexpected settings, the ...
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