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Edmund Musgrave Barttelot, who became notorious for his brutality, is one of the historical persons that may have inspired Kurtz's persona.. Kurtz's persona is generally understood to derive from the notoriously brutal history of the so-called Congo Free State, a territory that existed as the private property of King Leopold II from 1885 to 1908 until it was taken over by Belgium and became a ...
Leavis referred to Heart of Darkness as a "minor work" and criticised its "adjectival insistence upon inexpressible and incomprehensible mystery". [21] Conrad did not consider it to be particularly notable; [ 20 ] but by the 1960s it was a standard assignment in many college and high school English courses.
The International Association for the Study of Pain (IASP) defines chronic pain as a general pain without biological value that sometimes continues even after the healing of the affected area; [8] [9] a type of pain that cannot be classified as acute pain [b] and lasts longer than expected to heal, or typically, pain that has been experienced on most days or daily for the past six months, is ...
Colonel Kurtz is based on the character of a 19th-century ivory trader, also called Kurtz, from the novella Heart of Darkness (1899) by Joseph Conrad. The movie's Kurtz is widely believed to have been modeled after Tony Poe, a highly decorated and highly unorthodox Vietnam War-era paramilitary officer from the CIA's Special Activities Division. [2]
For life has no terrors for him who has thoroughly understood that there are no terrors for him in ceasing to live. Foolish, therefore, is the man who says that he fears death, not because it will pain when it comes, but because it pains in the prospect. Whatever causes no annoyance when it is present causes only a groundless pain in the ...
In Heart of Darkness the omniscient narrator observes that "yarns of seamen have a direct simplicity, the whole meaning of which lies within the shell of a cracked nut. But Marlow was not typical [...] and to him the meaning of an episode was not inside like a kernel but outside, enveloping the tale which brought it out only as a glow brings ...
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John Frederick Milius (/ ˈ m ɪ l i ə s /; born April 11, 1944) is an American screenwriter and film director.He was a writer for the first two Dirty Harry films, received an Academy Award nomination as screenwriter of Apocalypse Now (1979), and wrote and directed The Wind and the Lion (1975), Conan the Barbarian (1982), and Red Dawn (1984).