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Wagner Werk-Verzeichnis (WWV): Verzeichnis der musikalischen Werke Richard Wagners und ihrer Quellen ("Catalogue of Wagner's Works: Catalogue of Musical Compositions by Richard Wagner and Their Sources"). Mainz, London, & New York: Schott Musik International.
Richard Wagner's works for the stage, representing more than 50 years of creative life, comprise his 13 completed operas and a similar number of failed or abandoned projects. His first effort, begun when he was 13, was a prose drama, Leubald , but thereafter all his works were conceived as some form of musical drama.
The overtures and certain orchestral passages from Wagner's middle- and late-stage operas are commonly played as concert pieces. For most of these, Wagner wrote or rewrote short passages to ensure musical coherence. The "Bridal Chorus" from Lohengrin is frequently played as the bride's processional wedding march in English-speaking countries. [195]
Das Rheingold was Wagner's first work that adopted these principles, and his most rigid adherence to them, despite a few deviations – the Rhinemaidens frequently sing in ensemble. As the "preliminary evening" within the cycle, Das Rheingold gives the background to the events that drive the main dramas of the cycle.
Der Ring des Nibelungen (The Ring of the Nibelung), WWV 86, is a cycle of four German-language epic music dramas composed by Richard Wagner.The works are based loosely on characters from Germanic heroic legend, namely Norse legendary sagas and the Nibelungenlied.
Siegfried (German: [ˈziːk.fʀiːt] ⓘ), WWV 86C, is the third of the four epic music dramas that constitute Richard Wagner's Der Ring des Nibelungen (English: The Ring of the Nibelung). It premiered at the Bayreuth Festspielhaus on 16 August 1876, as part of the first complete performance of The Ring cycle.
Richard Wagner. Like his libretti, Wagner's operatic scores generally passed through a series of distinct stages from sketch to fair copy; but because the composer altered his method of musical composition several times during the writing of the Ring, there is not the same uniformity in the evolution of the music that we find in the texts.
In doing so, Wagner expanded the orchestration to 35 players to make the piece more marketable. [3] The original piece is scored for a small chamber orchestra of 13 players: flute, oboe, two clarinets, bassoon, two horns, trumpet, two violins, viola, cello and double bass. The piece is commonly played today by orchestras with more than one ...
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