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Memoirs of My Life and Writings (1796) is an account of the historian Edward Gibbon's life, compiled after his death by his friend Lord Sheffield from six fragmentary autobiographical works Gibbon wrote during his last years. Lord Sheffield's editing has been praised for its ingenuity and taste, but blamed for its unscholarly aggressiveness.
During this time, he became very interested in writing and started a life-long personal journal he called "Memorable Fancies." He journaled poems, intimate thoughts about his life and sexuality struggles, excerpts from letters he wrote others, occasional diary-like entries about daily life, and later, extensive notes about his photography.
Memoirs of a Madman alternates between the narrator's musings on the present and his memories of the past. In the sections that deal with the present, the narrator takes a bleak outlook on life, discussing writing, sanity, and death. More attention has been given to the memories of his past.
One elderly woman (Yoshiyuki) initially refuses, believing the act of taking a funeral photo to be bad luck, but agrees after Fukagawa offers to take her picture in some place with special significance to her. They rebrand the service as "photographs of memories" and start taking more local seniors on trips to be photographed. [6] [7] [8] [9]
Post-mortem photography in the Nordic countries was most popular in the early 1900s, but later died out around 1940, transferring mainly to amateur photography for personal use. When examining Iceland 's culture surrounding death, it is concluded that the nation held death as an important and significant companion. [ 19 ]
The article "Photography and Electoral Appeal" is more obviously political than Camera Lucida. In the 1960s and entering the next decade, Barthes's analysis of photography develops more detail and insight through a structuralist approach; the treatment of photography in Mythologies is by comparison tangential and simple. There is still in this ...
Memories, Dreams, Reflections details Jung's childhood, his personal life, and his exploration of the psyche. [W]here the interviewer and the interviewee confine themselves to the strictly personal picture of a rich life, the reader may perceive a wide panoramic vision of a devoted student of the humanities ...
The Posthumous Memoirs of Brás Cubas (Portuguese: Memorias Posthumas de Braz Cubas, modern spelling Memórias Póstumas de Brás Cubas), also translated as Epitaph of a Small Winner, is a novel by the Brazilian writer Joaquim Maria Machado de Assis that is regarded as one of the greatest works of Brazilian literature.