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The finest Romanesque town-house is at St-Antonin-Noble-Val, Tarn-et-Garonne, France, built by the Granolhet family in the early 12th century. This substantial house of three storeys has a broad street front, braced on one side by projecting bell tower with typical paired mullioned windows. The ground floor is an open loggia, with an arcade on ...
The solar was a room in many English and French medieval manor houses, great houses and castles, mostly on an upper storey, designed as the family's private living and sleeping quarters. [1] Within castles they are often called the "Lords' and Ladies' Chamber" or the "Great Chamber".
Schloss Machern (Machern Castle) near Leipzig is an example of a typical manor house, it evolved from a medieval castle which was originally protected by a water moat and later was converted into a baroque-style castle with typical architectural features of the period and one of the first English-style parks in Germany.
Peasant homes in medieval England were centered around the hearth while some larger homes may have had separate areas for food processing like brewhouses and bakehouses, and storage areas like barns and granaries. There was almost always a fire burning, sometimes left covered at night, because it was easier than relighting the fire.
Athelhampton House - built 1493–1550, early in the period Leeds Castle, reign of Henry VIII Hardwick Hall, Elizabethan prodigy house. The Tudor architectural style is the final development of medieval architecture in England and Wales, during the Tudor period (1485–1603) and even beyond, and also the tentative introduction of Renaissance architecture to Britain.
Gainsborough Old Hall was not only their home, but also a demonstration of their wealth and importance. Burgh was a benefactor to Newark Church and also the founder of the Chantry and Alms House at Gainsborough. In 1470, the manor was attacked by Sir Robert Welles over a clash about lands, status, and honour, but it was not severely damaged.
The Decoration of Houses, a manual of interior design written by Edith Wharton with architect Ogden Codman, was first published in 1897. In the book, the authors denounce Victorian-style interior decoration and interior design, especially rooms decorated with heavy window curtains, Victorian bric-a-brac and overstuffed furniture. They argue ...
At the same time of this period of urbanisation and artistic thought, interior design was heavily affected too, changing nearly completely from that of the Middle Ages. The sumptuous palazzi of noblemen and the middle-classes began to be decorated with tapestries, sculptures, frescos and lavish furniture.
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