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An early cloudscape photographer, Belgian photographer Léonard Misonne (1870–1943), was noted for his black and white photographs of heavy skies and dark clouds. [ 1 ] In the early to middle 20th century, American photographer Alfred Stieglitz (1864–1946) created a series of photographs of clouds, called "equivalents" (1925–1931).
A cloudscape painting by Jacob Isaakszoon van Ruisdael. In art, a cloudscape is the depiction of a view of clouds or the sky.Usually, as in the examples seen here, the clouds are depicted as viewed from the earth, often including just enough of a landscape to suggest scale, orientation, weather conditions, and distance (through the application of the technique of aerial perspective).
Satellite photograph of a mesa in the Cydonia region of Mars, often called the "Face on Mars" and cited as evidence of extraterrestrial habitation. Pareidolia (/ ˌ p ær ɪ ˈ d oʊ l i ə, ˌ p ɛər-/; [1] also US: / ˌ p ɛər aɪ-/) [2] is the tendency for perception to impose a meaningful interpretation on a nebulous stimulus, usually visual, so that one detects an object, pattern, or ...
Gao Kegong Gao Kegong, Hill Growing to Green and White Clouds, National Palace Museum Wikimedia Commons has media related to Gao Kegong . Gao Kegong ( simplified Chinese : 高克恭 ; traditional Chinese : 髙克恭 ; pinyin : Gaō Kègōng ; Wade–Giles : Kao K'o-kung ; 1248–1310) was a Chinese painter , and sometimes poet, born during the ...
The show, which included a group of Dove's pastels that came to be known as "The Ten Commandments", was the first public exhibition of abstract art by an American. [6] In the two years after meeting Stieglitz, Dove became a leader in international art developments. [ 6 ]
Here was this great white field of clouds solid against the blue." [30] The painting is a minimalist work that reduces the sky and clouds to distinct planes of color. Minimalism was a popular genre for young artists in the 1960s. O'Keeffe herself compared Sky above White Clouds I to the then-current work of American artist Kenneth Noland.
Lucio Fontana (Italian: [ˈluːtʃo fonˈtaːna]; 19 February 1899 – 7 September 1968) was an Argentine-Italian painter, sculptor, and theorist. [1] He is known as the founder of Spatialism and exponent of abstract painting as the first known artist to slash his canvases - which symbolizes an utter rejection of all prerequisites of art.
There has been no commonly-used definition of the term "abstract photography". Books and articles on the subject include everything from a completely representational image of an abstract subject matter, such as Aaron Siskind's photographs of peeling paint, to entirely non-representational imagery created without a camera or film, such as Marco Breuer's fabricated prints and books. [1]