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Although melodic improvisation was an important factor in European music from the earliest times, the first detailed information on improvisation technique appears in ninth-century treatises instructing singers on how to add another melody to a pre-existent liturgical chant, in a style called organum. [4]
Improvisation, in theatre, is the playing of dramatic scenes without written dialogue and with minimal or no predetermined dramatic activity. The method has been used for different purposes in theatrical history. [11] The Ligue d'improvisation montréalaise (LIM) is a league of improvisational theatre based in Montreal, Quebec, Canada
Jazz improvisation by Col Loughnan (tenor saxophone) at the Manly Jazz Festival with the Sydney Jazz Legends. Loughnan was accompanied by Steve Brien (guitar), Craig Scott (double bass, face obscured), and Ron Lemke (drums). Jazz improvisation is the spontaneous invention of melodic solo lines or accompaniment parts in a performance of jazz ...
Some institutions that train individuals for careers in music offer training in a wide range of professions, as is the case with many of the top U.S. universities, which offer degrees in music performance (including singing and playing instruments), music history, music theory, music composition, music education (for individuals aiming to ...
Realization is the art of creating music, typically an accompaniment, from a figured bass, whether by improvisation in real time, or as a detained exercise in writing. It is most commonly associated with Baroque music .
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Over the years, as jazz music developed and grew in complexity, scat singing did as well. During the bop era of the 1940s, more highly developed vocal improvisation surged in popularity. [27] Annie Ross, a bop singer, expressed a common sentiment among vocalists at the time: "The [scat] music was so exciting, everyone wanted to do it."
Ferand was born in 1887 in Budapest, Austria-Hungary.He attended the Royal National Hungarian Academy of Music and the University of Music and Performing Arts Vienna. [4] He became interested in the methods of Émile Jaques-Dalcroze, and from 1925 to 1938 he taught at Dalcroze's Schule Hellerau-Laxenburg in Austria.