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Logic Pro is a proprietary digital audio workstation (DAW) and MIDI sequencer software application for the macOS platform developed by Apple Inc. It was originally created in the early 1990s as Notator Logic, [2] or Logic, by German software developer C-Lab which later went by Emagic.
Logic Pro: macOS (also previously for Windows & Atari ST) Proprietary: Apple/Emagic (formerly named C-Lab) Piano roll, step editor, event list: LMMS: Linux, macOS, OpenBSD, Windows: GPL-2.0-or-later: Piano roll, step sequencer: DAW; VST, LADSPA support. MIDI editor displaying notes positions on a virtual keyboard. As of March 30, 2011 no MIDI ...
Tracktion was designed to be transparent and intuitive. Track object controls and parameters are context-sensitive; effects, MIDI instruments, and other software objects can be added to tracks or applied directly to individual audio and MIDI clips using a drag-and-drop system of filters.
It could also integrate directly into Blue Ribbon Soundworks' Bars & Pipes Pro MIDI software or NewTek's Video Toaster, thus providing a complete package of MIDI sequencing and/or video synchronization with non-linear hard disk recording. In 1993, the German company Steinberg released Cubase Audio on Atari Falcon 030.
Pro Tools was developed by UC Berkeley graduates Evan Brooks, who majored in electrical engineering and computer science, and Peter Gotcher. [17]In 1983, the two friends, sharing an interest in music and electronic and software engineering, decided to study the memory mapping of the newly released E-mu Drumulator drum machine to create EPROM sound replacement chips.
This version was a full rewrite and supports MIDI and audio tracks, audiobus and virtual MIDI to work with external music apps from the first versions. [5] In 2016, Cubasis 2 was released as a free update with new features such as real-time time-stretching, pitch-shifting for changing the key, a "channel strip" effects suite, and new plug-ins ...
Oramics (1957) controls sounds by graphics on films. Variophone (1930) by Evgeny Sholpo—on earliest version, hand drawn waves on film or disc were used to synthesize sound, and later versions were promised to experiment on musical intonations and temporal characteristics of live music performance, however not finished.
MIDI's serial transmission leads to timing problems. A three-byte MIDI message requires nearly 1 millisecond for transmission. [96] Because MIDI is serial, it can only send one event at a time. If an event is sent on two channels at once, the event on the second channel cannot transmit until the first one is finished, and so is delayed by 1 ms.
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