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The most notable is on p. 291, where a drawbridge man says to the fleeing Sirs Grummore and Palomides, [8] "Wee sleekit, cow'ring timorous Beastie... Oh, what panic's in thy breastie!" The first line of the poem is frequently used by P. G. Wodehouse in his Jeeves stories and novels. Typically, a woman who has broken off her engagement uses it ...
In the late 1960s and 1970s, Danner published her third and fourth volumes of poetry, Iron Lace (1968) and The Down of a Thistle: Selected Poems, Prose Poems, and Songs (1976). Her work continued to draw upon African (as well as Western) art, flora and fauna, relationships with her fellow poets and scenes from urban life.
Elizabeth Tollett (March 11, 1694 – February 1, 1754) was a British poet. Her surviving works are varied; she produced translations of classical themes, religious and philosophical poetry and poems arguing for women's involvement in education and intellectual pursuits such as natural philosophy. [1]
The poets represented in Poems by Eminent Ladies are diverse in terms of literary reputation and degree of critical and commercial success, literary school or style, and social, economic, and cultural background. Together, they help the editors make a case for including women writers in the national literary tradition: "The Ladies, whose pieces ...
Edited by Nathan Haskell Dole, the 10th edition was published in 1914, and was much like its predecessors. The book began with quotations originally in English, arranged them chronologically by author; Geoffrey Chaucer was the first entry and Mary Frances Butts the last. The quotes were chiefly from literary sources.
A literary critic noted that Evans used "black idioms to communicate the authentic voice of the black community is a unique characteristic of her poetry." [21] I Am a Black Woman (1970), her best-known poetry collection, won the Black Academy of Art and Letters First Poetry Award in 1975, and includes her best-known poem, "I Am a Black Woman". [18]
First published simply as "Ballad" in the January 1837 edition of the Southern Literary Messenger, it was later retitled as "Bridal Ballad" when it was printed in the July 31, 1841 edition of the Saturday Evening Post. The poem is unusual for Poe because it is written in the voice of a woman, specifically a recently married bride. Despite her ...
Neither voices these thoughts, however, and both the judge and the maiden move on. The judge marries a woman of wealth whose love for him is based on his riches. Maud Muller marries a young uneducated farmer. Throughout the rest of their lives, each remembers the day of their meeting and remorsefully reflects on what might have been.