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The Baldry album features his biggest U.S. hit, "Don't Try to Lay No Boogie-Woogie on the King of Rock and Roll"; Baldry once noted how Stewart's loose and late-night recording sessions affected the tracks, "especially those recorded on my thirtieth birthday when he showed up with cases of Remy Martin cognac and several measures of good quality ...
Boogie-woogie is a genre of blues music that became popular during the late 1920s, developed in African-American communities since the 1870s. [1] It was eventually extended from piano to piano duo and trio, guitar, big band, country and western music, and gospel.
Woods, capable in four styles of piano playing, Chicago blues, Kansas City boogie-woogie, West Coast jump blues and the poly-rhythmic accents of New Orleans, got the opportunity to play with some of his musical heroes, when he recorded his 1996 Viceroy album, Keeper of the Flame. [5] Their next album, Jump for Joy, appeared in 2001. [2]
Boogie is a repetitive, swung note or shuffle rhythm, [2] "groove" or pattern used in blues which was originally played on the piano in boogie-woogie music. The characteristic rhythm and feel of the boogie was then adapted to guitar, double bass, and other instruments. The earliest recorded boogie-woogie song was in 1916.
Kermit Holden "Pete" Johnson (March 25, 1904 – March 23, 1967) [1] [2] was an American boogie-woogie and jazz pianist.. Tony Russell stated in his book The Blues – From Robert Johnson to Robert Cray that "Johnson shared with the other members of the 'Boogie Woogie Trio' the technical virtuosity and melodic fertility that can make this the most exciting of all piano music styles, but he was ...
In 1973, the Dutch composer Louis Andriessen premiered On Jimmy Yancey, a two-movement work scored for nine wind instruments, piano and double bass.Andriessen observed that Yancey was not merely one of the pioneers of the boogie-woogie piano style.
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