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A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.
The final pages of John Foulds' A World Requiem are written in G♯ major (with F in the key signature), No. 18 of Anton Reicha's Practische Beispiele is written in B# major, and the third movement of Victor Ewald's Brass Quintet Op. 8 is written in F♭ major (with B in the key signature). [4] [5] Examples of theoretical key signatures are ...
Common chords are frequently used in modulations, in a type of modulation known as common chord modulation or diatonic pivot chord modulation. It moves from the original key to the destination key (usually a closely related key) by way of a chord both keys share. For example, G major and D major have 4 chords in common: G, Bm, D, Em.
b+ [1] It Was Always So Easy (To Find An Unhappy Woman) is the second album by country singer Moe Bandy (Marion Franklin Bandy, Jr.) released in 1974 on the GRC Label. Track listing
"What I've Been Looking For" was written and produced by Andy Dodd and Adam Watts. [3] [4] According to its music sheet, it was composed using common time in the key of A major, with a tempo of 142 beats per minute. [3] It is a teen pop song built on the chord progression A–D–A/C♯–Bm7–E, and it was written in the common verse–chorus ...
It is a succession of chords whose roots descend in fifths from the second degree to the fifth degree , and finally to the tonic. In a major key, the supertonic triad (ii) is minor, and in a minor key it is diminished. The dominant is, in its normal form, a major triad and commonly a dominant seventh chord.
I Was Looking at the Ceiling and Then I Saw the Sky is a 1995 "song play" with music composed by John Adams and a libretto by June Jordan. [1]The work is scored for three mezzo sopranos, high tenor, tenor and two baritones, accompanied by an ensemble comprising two reed players (clarinet, bass clarinet, alto saxophone), three keyboards (piano, keyboard samplers), acoustic and electric guitars ...
[1] The song was immediately successful [2] and became particularly associated with American contralto Antoinette Sterling, with Sullivan's close friend and mistress, Fanny Ronalds, and with British contralto Clara Butt. Sullivan was proud of the song and later noted: "I have composed much music since then, but have never written a second Lost ...