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It was released May 22, 2012 on Elverum's own label P.W. Elverum & Sun. The album was written and produced entirely by Elverum, who recorded it at his studio the Unknown. Musically, Clear Moon sees Elverum depart from the distortion-heavy sound of his previous studio album, Wind's Poem, in favour of a hypnotic, guitar and synthesizer based ...
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This release acts as an extension to 2003's Mount Eerie, the fourth studio album by Phil Elverum's previous band The Microphones. It was released on a 10" picture disc packaged in a 132-page hardcover artbook of photography taken by Elverum.
Pre-Human Ideas is a compilation album released by Phil Elverum under the name Mount Eerie, on November 12, 2013.The album consists of computerised versions of songs from his 2012 releases Clear Moon and Ocean Roar, plus 2 organ excerpts from the songs "Pale Lights" and "The Place Lives" from Clear Moon and Ocean Roar respectively.
Philip Whitman Elverum (né Elvrum; [1] born May 26, 1978) [2] is an American musician, best known for his musical projects the Microphones and Mount Eerie. Based in Anacortes, Washington , in the mid-2000s he began to spell his surname Elvrum as "Elverum".
Many of the songs appear on earlier releases by Mount Eerie. "Moon Sequel" is a follow-up to The Microphones' song "The Moon", and it carries the same melody. The song "Voice in Headphones" (which also appears on Lost Wisdom, released a month earlier) reprises the chorus from Björk's song "Undo", over a different verse.
Night Palace is the eleventh studio album by Mount Eerie, [4] the solo project of American musician Phil Elverum.The double album is Elverum’s longest album as Mount Eerie, his first release credited solely to Mount Eerie since 2018’s Now Only and his first release since 2020’s Microphones in 2020.
[10] Elizabeth Newton of The Quietus praised the album writing that "Fluctuations in Elverum's persona, self-consciously sullen and wrung from second thoughts, ultimately add up to a stable whole because his tone remains so thoroughly distinctive" and that "Now more than ever, this music is laced with its maker's insistent worldview at every ...