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Building Picture Location Date Architect(s) St Peter's Basilica: Vatican City: 1506–1615 Michelangelo, Giacomo della Porta, Carlo Maderno: Urbanistic complex of the city of Valletta
Baroque architecture is a highly decorative and theatrical style which appeared in Italy in the late 16th century and gradually spread across Europe. It was originally introduced by the Catholic Church, particularly by the Jesuits, as a means to combat the Reformation and the Protestant church with a new architecture that inspired surprise and awe. [1]
Complex in form and ornate with sculpture, the baldacchino serves as a great example of the Baroque ‘style’, massive and ornate, glorifying the church and the Catholic religion. This space is an example of quadratura, an attempt to create an illusion through architecture, painting, and sculpture. Painting and sculpture create an illusion of ...
Artemisia Gentileschi, Judith Slaying Holofernes, 1614–20, Oil on canvas 199 x 162 cm, Uffizi, Florence. Italian Baroque art was a very prominent part of the Baroque art in painting, sculpture and other media, made in a period extending from the end of the sixteenth to the mid eighteenth centuries. [1]
Baroque painting is the painting associated with the Baroque cultural movement. The movement is often identified with Absolutism , the Counter Reformation and Catholic Revival, [ 1 ] [ 2 ] but the existence of important Baroque art and architecture in non-absolutist and Protestant states throughout Western Europe underscores its widespread ...
The Baroque architecture period began in Italy during the late-16th century. It originated during the Counter-Reformation, which was mainly headed by the Catholic Church to appeal to people through new art and a new style of architecture. Baroque architecture is characterized by drama and grandeur.
Rococo, less commonly Roccoco (/ r ə ˈ k oʊ k oʊ / rə-KOH-koh, US also / ˌ r oʊ k ə ˈ k oʊ / ROH-kə-KOH; French: or ⓘ), also known as Late Baroque, is an exceptionally ornamental and dramatic style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and trompe-l'œil frescoes to create surprise and ...
As in the first half of the century, the art gallery of the benefactors of the Ospedale Maggiore collects the best examples of Milanese portraiture in the second half of the 17th century; through these paintings one can observe the evolution towards a more mature Baroque style: the best examples are attributed to Giuseppe Nuvolone. [76]