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The most popular visual images and symbols of peace in Palestinian posters include the olive tree, the orange (notably the jaffa orange), the map of Palestine, the keffiyeh, and the key. The late 1970s to early 1980s saw a shift away from militant depictions of violence, instead valuing a poetic portrayal of resistance.
The Palestine Poster Project Archives (PPPA) was founded as a means of collecting and digitally displaying a wide variety of works in the Palestine poster genre. The Palestine poster genre is more than a century old and growing. The Palestine Poster Project Archives continues to expand as the largest online collection of such posters. [1]
The G. Eric and Edith Matson Negatives are a rich source of historical images of the Middle East—notably Palestine, present day Israel, and the West Bank—from 1898 to1946. The collection contains 20,000 glass and film photographic negatives, created by the American Colony Photo Department and its successor firm, the Matson Photo Service.
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Palestinian artist and art historian Kamal Boullata describes "place" as one of the major thematic components of Palestinian art throughout its history. Proximity and distance from the historical Palestinian homeland and the relationship between the artist and his current place of residence is the key element moving Palestinian art.
March 30: Land Day April 5: Children's Day (Palestinian territories) May 5: Feast of al-Khadr or Saint George (Palestinian communities) May 15: Nakba Day (Palestinian communities)
The calendar was discovered in 1908 by R.A.S. Macalister of the Palestine Exploration Fund while excavating the ancient Canaanite city of Gezer, 20 miles west of Jerusalem. The Gezer calendar is currently displayed at the Museum of the Ancient Orient, a Turkish archaeology museum , [ 12 ] [ 13 ] as is the Siloam inscription and other ...