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The dougong (Chinese: 斗拱; pinyin: dǒugǒng; lit. cap [and] block; Vietnamese: Đấu củng) is an important part of Chinese architecture, is rarely or not found in Vietnamese architecture starting from the Lý dynasty where Vietnamese architecture began to develop and innovate away from Chinese traditional architecture. Vietnamese ...
Bái Đính Temple in Ninh Bình Province – the second largest complex of Buddhist temples in Vietnam Dâu Temple in Bắc Ninh Province is the oldest Buddhist temple in Vietnam A Tam quan in Hương Temple Giác Lâm Temple - An ancient temple in Ho Chi Minh city A Tam quan of Hội An Temple, Bình Dương
The Imperial City (Vietnamese: Hoàng thành; chữ Hán: 皇城) is a walled enclosure within the citadel (Kinh thành; chữ Hán: 京城) of the city of Huế, the former imperial capital of Vietnam during the Nguyễn dynasty. It contains the palaces that housed the imperial family, as well as shrines, gardens, and villas for mandarins.
A typical Tam quan of folk architecture Tam quan of Thượng Temple (built in the style of Láng Temple) A Tam quan (chữ Hán: 三關) or Tam môn (chữ Hán: 三門) is a style of traditional gateway symbolic of Vietnamese Buddhism. It has three aisles (traditionally, the middle aisle is the largest and the two side aisles are smaller).
Front entrance. The Vietnam National Museum of History (Vietnamese: Viện Bảo tàng Lịch sử Việt Nam) is in the Hoan Kiem district of Hanoi, Vietnam.The museum building was an archaeological research institution of the French School of the Far East under French colonial rule (Louis Finot École Française d'Extrême-Orient EFEO) of 1910, was extensively refurbished in 1920.
Đình (Chữ Hán: 亭 or 庭) or Vietnamese communal houses are typical of buildings found in Vietnam villages, dedicated to worship the village god, Thành hoàng, the village founder or a local hero. They also play the role as a meeting place of the people in the community, akin to modern civic centers.
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Traditional Vietnamese art is a part of art practiced in Vietnam or by Vietnamese artists, from ancient times (including the elaborate Đông Sơn drums) to post-Chinese domination art which was strongly influenced by Chinese Buddhist art, as well as Taoism and Confucianism.