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An idea of spiritual beauty emerged during the classical period, [27] beauty was something embodying divine goodness, while the demonstration of behaviour which might be classified as beautiful, from an inner state of morality which is aligned to the good. [38] The writing of Xenophon shows a conversation between Socrates and Aristippus.
The first part of The Sense of Beauty is devoted to the development of a definition of beauty. Santayana rejects the previous notion of beauty as ″the symbol of divine perfection″ and instead builds his theory of beauty on a re-definition of aesthetics being concerned with ″the perception of values″ (§1).
The challenge to the assumption that beauty was central to art and aesthetics, thought to be original, is actually continuous with older aesthetic theory; Aristotle was the first in the Western tradition to classify "beauty" into types as in his theory of drama, and Kant made a distinction between beauty and the sublime.
The transcendentals (Latin: transcendentalia, from transcendere "to exceed") are "properties of being", nowadays commonly considered to be truth, unity (oneness), beauty, and goodness. [ citation needed ] The conceptual idea arose from medieval scholasticism , namely Aquinas but originated with Plato , Augustine , and Aristotle in the West.
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In developed western societies, women tend to be judged for their physical appearance over their other qualities and the pressure to engage in beauty work is much higher for women than men. Beauty work is defined as various beauty "practices individuals perform on themselves or others to elicit certain benefits from a specific social hierarchy."