Search results
Results from the WOW.Com Content Network
The album's closing tracks are midtempo ballads "Heaven" and "Blue". "Heaven" is an emotive, piano-led hymn with gospel elements, [26] [45] while "Blue" is built on a piano melody over which Beyoncé sings of the love for her daughter, using her full vocal range. [27] [49]
At the BET Awards 2020, "Brown Skin Girl" won the BET HER Award, making Blue Ivy the youngest BET Award winner of all time. [35] The "Brown Skin Girl" music video won Best Music Video at the 63rd Annual Grammy Awards. For this award, Blue Ivy received the Guinness World Record for the youngest individually credited winner at the Grammy Awards. [36]
While Beyoncé and the team brainstormed the lyrics, other collaborators simultaneously produce the tracks. [8] She arranged, co-wrote and co-produced all the songs on B'Day, [9] which was titled as a reference to her birthday, [12] and completed in three weeks. [13] In 2007, Beyoncé began working on her third studio album I Am...
Beyoncé’s new album “Cowboy Carter” arrives after what the Texas-born singer says was a five-year journey she embarked on after feeling rejected by the country music world. On her eighth ...
Beyoncé Giselle Knowles-Carter (/ b i ˈ ɒ n s eɪ / ⓘ bee-ON-say; [7] born September 4, 1981) is an American singer-songwriter, actress and businesswoman. She has had a significant impact on the music industry and is known for her vocal ability, musical versatility, live performances, and culturally important works.
Blue (Beyoncé song) Bodyguard (Beyoncé song) Bootylicious; Boss (Carters song) Boss (The Carters song) Brave Honest Beautiful; Break My Soul; Broken-Hearted Girl; Brown Eyes (Destiny's Child song) Brown Skin Girl; Bug a Boo (song)
Right after she was announced as the winner, cameras captured her shocked reaction as her family members, husband Jay-Z and daughter Blue Ivy, rose to their feet to applaud her. One angle showed ...
Pitchfork writer Matthew Strauss described the song as "a dance song that is intended to mark the start of a new era with new anthems". [3] [14] Mikael Wood of the Los Angeles Times called the track a "thumping 1990s-style house jam" with lyrics that connect the song "explicitly to its roots in Black and queer communities". [15]