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The so-called Flemish Primitives were the first to popularize the use of oil paint. Their art has its origins in the miniature painting of the late Gothic period. Chief among them were Jan van Eyck, Hans Memling, Hugo van der Goes, Robert Campin and Rogier van der Weyden. The court of the Duchy of Burgundy was an important source of patronage.
Flemish art is notable for the large amount of collaboration that took place between independent masters, which was partly related to the local tendency to specialize in a particular area. Frans Snyders , for example, was an animal painter and Jan Brueghel the Elder was admired for his landscapes and paintings of plants.
The movement originated with the painter Albert Servaes, an artist associated with the first artist colony at Sint-Martens-Latem, als referred to as the first Latem School. From 1905 Servaes' art gradually moved away from the impressionism and luminism of the previous generation of Flemish artists towards a darker palette and a mystical tension.
Jan van Eyck, The Arnolfini Portrait, 1434, National Gallery, London Rogier van der Weyden, The Descent from the Cross, c. 1435, Museo del Prado, Madrid. Early Netherlandish painting is the body of work by artists active in the Burgundian and Habsburg Netherlands during the 15th- and 16th-century Northern Renaissance period, once known as the Flemish Primitives. [1]
Flemish strijdvlag as adopted by large parts of the Flemish Movement. The Flemish Movement (Dutch: Vlaamse Beweging, pronounced [ˈvlaːmsə bəˈʋeːɣɪŋ]) is an umbrella term which encompasses various political groups in the Belgian region of Flanders and, less commonly, in French Flanders.
After 1550 the Flemish and Dutch painters begin to show more interest in nature and beauty "in itself", leading to a style that incorporates Renaissance elements, but remains far from the elegant lightness of Italian Renaissance art, [3] and directly leads to the themes of the great Flemish and Dutch Baroque painters: landscapes, still lifes ...
Sir Peter Paul Rubens (/ ˈ r uː b ən z / ROO-bənz; [1] Dutch: [ˈpeːtər pʌul ˈrybəns]; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat. [2] He is considered the most influential artist of the Flemish Baroque tradition.
The Encyclopedia of the Flemish Movement (Dutch: Encyclopedie van de Vlaamse beweging) is a Dutch-language encyclopedia which intends to serve as a general reference work on the Flemish movement. [ 1 ] [ 2 ] [ 3 ] The first edition of the encyclopedia was published between 1973 and 1975. [ 1 ]
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