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100 Great Paintings is a British television series broadcast in 1980 on BBC Two, devised by Edwin Mullins. [1] He chose 20 thematic groups, such as war, the Adoration, the language of colour, the hunt, and bathing, picking five paintings from each. [2]
Works of art featured range from Michelangelo's David for the first episode to Filippo Lippi's Adoration of the Christ Child for the last. The series was produced by independent TV production company Fulmar Television & Film, based in Cardiff. [1] The series producer, who also devised the concept of the programme, was Jeremy Bugler. [2]
Fake or Fortune? is a BBC One documentary television series which examines the provenance and attribution of notable artworks. [1] Since the first series aired in 2011, Fake or Fortune? has drawn audiences of up to 5 million viewers in the UK, [2] the highest for an arts show in that country.
Simon Schama's Power of Art is an eight-part BBC TV mini-series examining the works of eight artists, the context surrounding one of their works and the message they intended to convey with these. It was written, created, narrated, and presented by Simon Schama .
The Washington Post art critic Sebastian Smee described the PBS series as "compulsory viewing for a new generation of viewers". [21] Smee rejected any comparison with the original: "In truth, the comparison is invidious. Civilisation was great, but the series is 50 years old, and looks it. Today, neither Lord Clark’s benign pomposity nor his ...
Documentary television series about art (1 C, 30 P) Pages in category "Television series about art" The following 36 pages are in this category, out of 36 total.
Gill directed episodes 1, 3, 5, 8, 10, 12 and 13. Montagnon directed episodes 2, 6, 7, 9, and co-directed episode 11 with Ann Turner, who also directed episode 4. [11] The series was replayed on BBC Four and released in the Region 2 DVD area in 2005; a Region 1 set followed in 2006. The DVD release included a short interview with David ...
The series reveals how Claude Monet, in a race against time to capture the light, took just 40 minutes to paint his seminal work Impression, Sunrise; why Édouard Manet's depiction of Olympia, in which his model brazenly gazes out of the canvas, so outraged Parisian society; and how Paul Cézanne's 60 paintings of one mountain, Montagne Saint ...
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