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The Doors made a steady climb up the Billboard 200, ultimately becoming a huge success in the US once the edited single version of "Light My Fire" scaled the charts to become No. 1, with the album peaking at No. 2 on the chart in September 1967 (kept off the top stop by the Beatles' Sgt. Pepper's Lonely Hearts Club Band) and going on to achieve ...
The use of the Doors song "The End", from their debut album, in the popular Vietnam War film, Apocalypse Now in 1979 and the release of the first compilation album in seven years, Greatest Hits, released in the fall of 1980, created a resurgence in the Doors. Due to those two events, an entirely new audience, too young to have known of the band ...
The Doors' first album, The Doors, re-entered the Billboard 200 album chart in September 1980 and Elektra Records reported the Doors' albums were selling better than in any year since their original release. [162] In response a new compilation album, Greatest Hits, was released in October 1980.
The speed discrepancy (being about 3.5% slow) was brought to Bruce Botnick's attention by Brigham Young University professor Michael Hicks, who noted that all video and audio live performances of the Doors performing the song, the sheet music, and statements of band members show the song in a key almost a half step higher (key of A) than the ...
This is a list of songs that have peaked at number one on the Billboard Hot 100 and the magazine's national singles charts that preceded it. Introduced in 1958, the Hot 100 is the pre-eminent singles chart in the United States, currently monitoring the most popular singles in terms of popular radio play, single purchases and online streaming.
"You Make Me Real" is a song written by Jim Morrison that was first released on the Doors 1970 album Morrison Hotel.It was also released as the only single from the album, reaching No. 50 on the Billboard Hot 100, but was ultimately surpassed in popularity by its B-side, "Roadhouse Blues". [3]
Upon completion, the song became the band's fourth Top 40 hit in the US, peaking at number 39 on the Billboard Hot 100, and enjoying an 8-week appearance on the Billboard Hot 100 list overall. [7] "We Could Be So Good Together" served as the B-side. However, the lyrics were controversial at the time and many radio stations refused to play it ...
The record for the longest wait from an artist's Hot 100 debut entry to its first No. 1 belongs to Santana, with 30 years between the time the band first cracked the Hot 100 with "Jingo" (October 25, 1969) and the first of 12 weeks at No. 1 with "Smooth," featuring Rob Thomas (October 23, 1999).