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Film-out of standard-definition video – or any source that has an incompatible frame rate – is the up-conversion of video media to film for theatrical viewing. The video-to-film conversion process consists of two major steps: first, the conversion of video into digital film frames which are then stored on a computer or on HD videotape; and secondly, the printing of these digital film ...
Robert Bosch GmbH's Fernseh Division made a large three rack analog video standards converter, Model NC 56 P 40. These were the high-end converters of the 1960s and 1970s. Image Transform in Universal City, CA used the Fernseh converter and in the 1980s made their own a custom digital converter. This was also a larger 3 rack device.
Any Video Converter is a video converter developed by Anvsoft Inc. for Microsoft Windows and macOS. [3] It is available in both a free and paid version. Any Video Converter Windows version won the CNET Downloads 5 star award in 2012.
To convert 24 frame/s film to 29.97 frame/s (presented as 59.94 interlaced fields per second) NTSC, a process called "3:2 pulldown" is used, in which every other film frame is duplicated across an additional interlaced field to achieve a framerate of 23.976 (the audio is slowed imperceptibly from the 24 frame/s source to match). This produces ...
Sony HDVS (High-Definition Video System) is a range of high-definition video equipment developed in the 1980s to support the Japanese Hi-Vision standard which was an early analog high-definition television system (used in multiple sub-Nyquist sampling encoding (MUSE) broadcasts) [1] thought to be the broadcast television systems that would be in use today.
Digital cinema is the digital technology used within the film industry to distribute or project motion pictures as opposed to the historical use of reels of motion picture film, such as 35 mm film. Whereas film reels have to be shipped to movie theaters, a digital movie can be distributed to cinemas in a number of ways: over the Internet or ...
Picture contents may be stored in one or more reels corresponding to one or more MXF files. Each reel contains pictures as MPEG-2 or JPEG 2000 essence, depending on the adopted codec. MPEG-2 is no longer compliant with the DCI specification. JPEG 2000 is the only accepted compression format.
In the movie projection industry, Digital Cinema Initiatives is the dominant standard for 2K output and defines a 2K format with a resolution of 2048 × 1080. [ 2 ] [ 3 ] For television and consumer media, the dominant resolution in the same class is 1920 × 1080 , but in the cinema industry this is generally referred to as "HD" and ...