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The Great Leap Forward also prompted a wave of the New Guohua Campaign in which the state commissioned landscape artists to paint new production projects; select paintings of the campaign were taught in schools, published widely as propaganda posters, exhibited in museums, and used as the backdrops of state events.
The propaganda posters offered no scientific explanation for why the campaign was necessary. Instead, they featured dramatic depictions of children heroically exterminating the pests, and hence playing their role in the Great Leap Forward. The propaganda served to frame the campaign as more than an effort to improve hygiene.
1950s: Big-character posters in the Hundred Flowers Campaign and the Great Leap Forward [ edit ] In late 1956, Mao Zedong believed that internal contradictions within the socialist society and within the party leadership, such as issues of subjectivism, bureaucratism, and secretarianism, must be solved before they develop into serious ...
Although intended to increase China's economic output, the Great Leap Forward was instead a period of economic regression. The policies enacted during the campaign, coupled with the use of coercion and violence, resulted in the Great Chinese Famine and led to the deaths of 36 - 45 million. 36 to 45 million [12] 1958–1962: Four Pests Campaign
Three Red Banners (Chinese: 三面红旗) was an ideological slogan in the late 1950s which called on the Chinese people to build a socialist state.The "Three Red Banners" also called the "Three Red Flags," consisted of the General Line for socialist construction, the Great Leap Forward and the people's communes.
In 1958, Mao launched the Great Leap Forward, which aimed to transform China's economy from agrarian to industrial; it resulted in the Great Chinese Famine. In 1966, he initiated the Cultural Revolution , a campaign to remove "counter-revolutionary" elements marked by violent class struggle , destruction of historical artifacts, and Mao's cult ...
The artist behind the iconic “Hope” poster that became a prominent symbol of Barack Obama’s 2008 campaign has created similar artwork for Vice President Kamala Harris’ presidential bid.
A propaganda poster with Iron Girls. Iron Girls (sometimes translated as Iron Women) is a term that was popularized in China during the 1950s through the 1970s.It was used to define a new idealized emerging group of working women who were strong and capable of performing highly demanding labor tasks, usually assigned to men.