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Every Spanish noun has a specific gender, either masculine or feminine, in the context of a sentence. Generally, nouns referring to males or male animals are masculine, while those referring to females are feminine. [1] [2] In terms of importance, the masculine gender is the default or unmarked, while the feminine gender is marked or distinct. [2]
Some Spanish-speaking people advocate for the use of the pronouns elle (singular) and elles (plural). [14] Spanish often uses -a and -o for gender agreement in adjectives corresponding with feminine and masculine nouns, respectively; in order to agree with a gender neutral or non-binary noun, it is suggested to use the suffix -e.
For example, in Spanish, the masculine gender generally precedes the feminine, and the default form of address for a group of students is the masculine plural los estudiantes, regardless of the gender composition of the group. On the other hand, the feminine plural las estudiantes refers to a group consisting only of female students. [2]
For example, a study found that women who were referred to as professoressa were seen as less persuasive than either a man or women who used the title professore (Italian for the feminine and masculine forms of "professor," respectively.") [8] Another reason feminized language may carry poor conceptions is because many efforts to feminize ...
[26] Today, when these masculine words are modified to refer to a woman a suffix is added. [27] One way to combat this, deemed exclusionary grammar, was to use a masculine form in reference to a man, and a feminine form in reference to a woman in order to make women visible. [27]
Women in Ancient Greece wore himations; and in Ancient Rome women wore the palla, a rectangular mantle, and the maphorion. [54] The typical feminine outfit of aristocratic women of the Renaissance was an undershirt with a gown and a high-waisted overgown, and a plucked forehead and beehive or turban-style hairdo. [54]
Woman Hollering Creek and Other Stories is a book of short stories published in 1991 by the Mexican-American writer Sandra Cisneros.The collection reflects Cisneros's experience of being surrounded by American influences while still being familially bound to her Mexican heritage as she grew up north of the Mexico-US border.
The Matrixial Gaze is a 1995 book by artist, psychoanalyst, clinical psychologist, writer and painter Bracha L. Ettinger. [1] It is a work of feminist film theory that examines the gaze as described by Jacques Lacan, criticises it, and offers an original theory concerning feminine and female gaze.