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25 cm 9.9 in céim: step 2.5 62.5 cm 2 ft 1 in deiscéim[m] double-step 6 1.5 m 4 ft 11 in fertach: rod 12 3 m 9 ft 10 in forrach: 144 36 m 39.4 yards
Over time, many traditional unit names were repurposed to denote metric-based units. This practice introduced an additional layer of complexity, making the transition to the metric system unnecessarily cumbersome.
Police in Greece said Wednesday they were investigating how an ancient Greek statue came to be dumped in a black plastic bag near garbage cans in the northern city of Thessaloniki.
The head is about 2 1 ⁄ 2 meters tall and each foot is over 2 meters long. One of the two right hands of the Colossus. The statue's right hand is said by Eusebius [1] to have held "a trophy of the Saviour's passion with the saving sign of the Cross", possibly therefore in the form of a staff with the sacred monogram XP affixed to it. Medals ...
The Gebirgsflak 38 was a German anti-aircraft weapon of World War II, a lightweight version of the 2 cm FlaK 38 designed for airborne and mountain troops as a dual-purpose gun for use against air and ground targets. The main difference was that the carriage was smaller and lighter than the carriage for the FlaK 38.
The term for telescopes persisted even in the 20th century, with a telescope listed in the 1909 Sears Roebuck catalog of having 25 lignes diameter aperture, or about 56 mm (5.6 cm). [5] The measurement SPI (Stitches per inch) for leather pricking irons and stitch marking wheels also commonly uses the Paris inch instead of the Imperial inch.
The Maine 2-foot railroads. A series of 2 ft gauge railroads that existed in the state of Maine, USA from the 1870s to the 1940s. [1] 2-foot gauge railways of Wales and England, including the Ffestiniog Railway. [2] 2-foot gauge railways of South Africa. [3] 2-foot gauge Gilpin Tramway of Colorado, a 2 ft gauge mining railroad that used Shay ...
The San Zeno Altarpiece is a polyptych altarpiece by the Italian Renaissance painter Andrea Mantegna created around 1456–1459. [1] It remains in situ in the Basilica di San Zeno, the main church of the Northern Italian city of Verona. [2] [3] Mantegna's style mixes Greco-Roman classical themes along with Christian subjects in this altarpiece. [4]