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The few windows that did exist on early colonial homes had small panes held together by a lead framework, much like a typical church's stained glass window. The glass that was used was imported from England and was incredibly expensive. [13] In the 18th century, many of these houses were restored and sash windows replaced the originals.
These basic houses featured double-pitched hipped roofs and were surrounded by porches (galleries) to handle the hot summer climate. By 1770, the basic French Colonial house form evolved into the briquette-entre-poteaux (small bricks between posts) style familiar in the historic areas of New Orleans and other areas. These homes featured double ...
Sometimes the planks were staggered or spaced apart to form keys for a coat of plaster. This method was recommended by Orson Squire Fowler for octagon houses in his book The Octagon House: A Home for All in 1848. [10] Fowler mentions he had seen this wall type being built in central New York state while traveling in 1842.
In the middle of the 19th century, Fowler made his mark on American architecture when he touted the advantages of octagonal homes over rectangular and square structures in his widely publicized book, The Octagon House: A Home For All, or A New, Cheap, Convenient, and Superior Mode of Building, printed in the year 1848. [2]
Octagon House in Watertown, Wisconsin, built 1853 David Van Gelder Octagon House in Catskill, New York, built 1860, photographed on January 13, 2008. This is a list of octagon houses. The style became popular in the United States and Canada following the publication of Orson Squire Fowler's 1848 book The Octagon House, A Home for All.
The vast majority of plantations did not have grand mansions centered on a huge acreage. These large estates did exist, but represented only a small percentage of the plantations that once existed in the South. [2] Although many Southern farmers did enslave people before emancipation in 1862, few enslaved more than five.
The earliest surviving book detailing historical building techniques is the treatise of the Roman author, Vitruvius, but his approach was neither scholarly nor systematic. Much later, in the Renaissance , Vasari mentions Filippo Brunelleschi 's interest in researching Roman building techniques, although if he wrote anything on the subject it ...
In his book on folk architecture in north-central Missouri, Marshall devotes nine pages to the I-house after investigation of close to 100 old houses in the “Little Dixie” region of Missouri. [6] He calls the I-house the “Farmer’s Mansion.” It is the Southern-style house sought by a middle-class planter, a symbol of his success.