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Meaning respectively "measured song" or "figured song". Originally used by medieval music theorists, it refers to polyphonic song with exactly measured notes and is used in contrast to cantus planus. [3] [4] capo 1. capo (short for capotasto: "nut") : A key-changing device for stringed instruments (e.g. guitars and banjos)
Definition Accelerando: accelerating: Accelerating Accompagnato: accompanied: The accompaniment must follow the singer who can speed up or slow down at will. Adagio: ad agio, at ease: Slow and easy (but not as slow as largo) Adagietto: a bit at ease: 1. Slightly less easy than adagio (so slightly faster); 2. a short adagio composition ...
Frédéric Chopin's Nocturne in G Minor, Op. 15, No. 3. The marking "languido e rubato", slow tempo, and subdued dynamics creates an evocative mood characteristic of nocturnes. A nocturne is a musical composition that is inspired by, or evocative of, the night.
Soft rock (also known as light rock) is a form of rock music that originated in the late 1960s in the United States and the United Kingdom which smoothed over the edges of singer-songwriter and pop rock, [1] relying on simple, melodic songs with big, lush productions.
For example, the sheet music for a song may state the song is a "slow blues" or a "fast swing", which indicates the tempo and the genre. To read notation, a person must have an understanding of music theory , harmony and the performance practice associated with a particular song or piece's genre.
"A Slow Song" is a song by British singer-songwriter and musician Joe Jackson, which was released in 1982 as the closing track on his fifth studio album Night and Day. The song was written by Jackson, and produced by Jackson and David Kershenbaum .
In music, the dynamics of a piece are the variation in loudness between notes or phrases.Dynamics are indicated by specific musical notation, often in some detail.However, dynamics markings require interpretation by the performer depending on the musical context: a specific marking may correspond to a different volume between pieces or even sections of one piece.
By the Victorian era, ballad had come to mean any sentimental popular song, especially so-called "royalty ballads". [20] Some of Stephen Foster 's songs exemplify this genre. By the 1920s, composers of Tin Pan Alley and Broadway used ballad to signify a slow, sentimental tune or love song, often written in a fairly standardized form.